The Compositional Rule of Inference vs the Bandler-Kohout Subproduct: a Comparison of Two Standard Rules of Inference by Katarzyna Miś, Michał Baczyński

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Development of Polish Speech Test Signal and its Comparison with International Speech Test Signal by Dorota HABASIŃSKA, Ewa Barbara SKRODZKA, Edyta BOGUSZ-WITCZAK

“…The recordings were cut into 100–600 ms long segments and composed into one-minute long signal, obeying a set of composition rules, imposed mainly to preserve a natural, speech-like features of the signal. …”
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Hierarchical multi-instance multi-label learning for Chinese patent text classification by Yunduo Liu, Fang Xu, Yushan Zhao, Zichen Ma, Tengke Wang, Shunxiang Zhang, Yuhao Tian

“…Next, the concept of secondary_label is introduced following the composition rules of IPC, and the relationships between instances and multiple secondary_labels are mined through the construction of fully-connected layers. …”
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Monolingualer und bilingualer Erwerb von Wortbildungsstrategien im Deutschen by Anna-Lena Scherger, Lena Kliemke

“…However, a more in-depth qualitative analysis shows that the complex compounds formed by bilingual children disregard the German composition rule of right-hand heads to a significantly higher extent than the monolingual children do. …”

Dynamic scheduling for flexible job shop based on MachineRank algorithm and reinforcement learning by Fujie Ren, Haibin Liu

“…Numerical experiments were conducted on a large number of instances with different production configurations, and the results demonstrated the superiority and generality of the D3QN compared to various composite rules, other advanced scheduling rules, and standard Q-learning agents. …”
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A fidelity made of stone. The Armenian Architecture seen from the Vayots-Dzor’ fringe by Cecilia Maria Roberta Luschi, Laura Aiello, Marta Zerbini

“…The aim is to highlight the elements that define their architectural shape: the compositional rules, the structural design and the relationships between plan and elevation. …”
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A comparative study of the proposed ways of creating Iranian music in the written works of Farhad Fakhredini and Sharif Lotfi by Nima Khiali, Hamidreza Dibazar, Ali Mahdaviseresht

“…In contrast, Iranian music creation is seen as a more fluid, spontaneous process, shaped by cultural and aesthetic traditions rather than rigid compositional rules. For Lotfi, "creation" reflects the intuitive nature of Iranian music, rooted in its cultural context. …”
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