SPELLBOUND BY SOUNDTRACKS. AN INTERVIEW WITH FILM SCORE COMPOSER AARON FAZAKAS by Adél FEKETE

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“ORPHIKON I” BY ATHANASIOS TRIKOUPIS – A “BRIDGE” BETWEEN ANCIENTAND CONTEMPORARY TIMES, A MEANS OF TEACHING MODERN MUSIC TO CHILDREN by Stela GUŢANU

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THE PORTRAIT OF RUXANDA IN THE OPERA ”ALEXANDRU LĂPUŞNEANU” OF THE BESSARABIAN COMPOSER GHEORGHE MUSTEA by Luminiţa GUŢANU

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The New Digital Documentality of Contemporary Film Scoring Practices. Preliminary Results Based on Participant Observation at the Studio of North American Composer Christopher Youn... by Gabriele, Giulia Ferdeghini, Ilario Meandri

Subjects: “…Christopher Young/Film Composer’s Studio…”
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AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY by Luminiţa GUŢANU

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ZOLTÁN GÁRDONYI SERVING ECCLESIASTICAL MUSIC by Éva PÉTER

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New Musical Writing Processes for Cinema by Roberto Calabretto, Luca Cossettini, Donald Greig

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