La modellazione microstrutturale di materiali a struttura eterogenea: princìpi ed applicazioni by Luca Collini

Subjects: Get full text

Comparative analysis of a 3D printed polymer bonded magnet composed of a TPU-PA12 matrix and Nd-Fe-B atomised powder and melt spun flakes respectively by Granit Hajra, Mihael Brunčko, Leo Gusel, Ivan Anžel

Get full text

Access mechanism of TMP under mobile network by WU Zhen-qiang, ZHOU Yan-wei, QIAO Zi-rui

Subjects: Get full text

AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY by Luminiţa GUŢANU

Subjects: Get full text

Ontology-driven use of ChatGPT to build guidelines and select technology parameters for IoT lab development by Adam Doering, Łukasz Kryła, Maciej Kamiński, Łukasz Muszarski, Cezary Orłowski, Marek Ożarowski

Subjects: Get full text

Des/re-territorialización de prácticas musicales afrocubanas: compositores académicos cubanos de la diáspora de finales del siglo XX y principios del XXI by Iván César Morales Flores

Subjects: “…Cuban composers…”
Get full text

ZOLTÁN GÁRDONYI SERVING ECCLESIASTICAL MUSIC by Éva PÉTER

Subjects: Get full text

Origin and Position of the Translations of Three French “Commentary” by Mohammad Taghi Ghiasi by Sara Tabatabae

Subjects: Get full text

A Look at the Book of Four Masters: An Excerpt for the Lesson “Iraqi Literary Poets” by Jamileh Akhyani

Subjects: “…the organization for researching and composing university textbooks in the humanities…”
Get full text

A Critical Review Philosophy of Psychology by Fatemeh Javadzadeh Shahshahani

Subjects: “…organization for researching and composing university textbooks in the humanities…”
Get full text

New Musical Writing Processes for Cinema by Roberto Calabretto, Luca Cossettini, Donald Greig

Subjects: Get full text

Semantic composition of robotic solver algorithms on graph structures by Sven Schneider, Sven Schneider, Nico Hochgeschwender, Herman Bruyninckx, Herman Bruyninckx, Herman Bruyninckx

Subjects: Get full text

Genderverteilung der Lehrenden in den Fächern Komposition, Elektroakustische Komposition und Musiktheorie an deutschen Hochschulen. Eine statistische Recherche by Irene Kletschke, Kirsten Reese

Subjects: Get full text

“HA FOLYÓVĺZ VOLNÉK ... (HAD I BEEN RUNNING WATER ...)”, EQUAL VOICES CHOIR, OP. 1, BY EDE TERÉNYI (1954) by Gabriela COCA

“…Retroactive, the composer, considers this little work as his really work op. 1. …”
Get full text

Un opéra français d’après la Salomé de Wilde, l’appropriation d’un drame by Déborah Bonin

“…How did the composer transform this theatrical drama into an opera? …”
Get full text

Les Songes de la nef, pour une « prise de site » musicale et sonore by Alain Bonardi

“…In this article, we develop the concept of “site taking” on a musical perspective, discussing with Jean-Louis Déotte and his writings, in the framework of our sound installation Les Songes de la nef (2018) for the the Hôtel-Dieu in Tonnerre, double tribute to the philosopher and to composer Jean-Claude Risset. Opposite to the hanging up, the “site taking” enables to think of the reception of contemporary works in heritage monuments as a dynamical relationship between both, as a “criticism” in the meaning of a remote comment between musics proposed by composer Luciano Berio. …”
Get full text

DER MUSIKALISCHE SPRACHE DES KOMPONISTEN PIERRE VILLETTE IN DEN „A CAPPELLA MOTETTEN HYMNE A LA VIERGE (OP. 24) UND PANIS ANGELICUS (OP. 80)“ by Miklós FEKETE

“… This paper presents first of all the importance of the 20th century French composer Pierre Villette, who’s instrumental, vocal-instrumental and choral works are relatively unknown even between musicians. …”
Get full text

Les Fiançailles au couvent : Prokofiev adapte La Duègne de Sheridan by Tetiana Zolozova

“…Written almost at the same time, the two works indicate the composer’s fascination for a different cultural heritage, so far unexploited in his operas inspired by the works of Russian or Italian writers. …”
Get full text

La maison et le jardin de Maurice Ravel à Montfort-l’Amaury (Yvelines) by Agnès Chauvin, Marie-Hélène Didier

“…The design of the garden, with its water features, its herbaceous borders and its Japanese-style atmosphere, refers to numerous works by the composer. It is a good example of a garden which was an inspiration for a composer’s works, but also of a garden inspired by music. …”
Get full text

THE RHYTHMICALLY, MELODICALLY AND RHYTHMIC-MELODICALLY ANALOGIES IN RICHARD WAGNER’S OPERAS by Gabriela Coca

“… In Richard Wagner’s opera the composer put the rhythm both in the service of the musical dramaturgy and also in the melody, the harmony, the polyphony, the orchestration and the musical form. …”
Get full text