Comment on "Influence of traditional Chinese thought on the performance style and creation of piano music works” by Yimeng Jiao

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Comment on “Embodiment and inspiration of Chinese philosophy of life in traditional music education” by Dan Tan

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Comment on “Between emptiness and reality: from the white space in Chinese painting to the philosophy of form in western art” by Ximing Xu

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Comment on “The civilizational return of Eastern “Rites and Music” and Western “Ethics” in modern music education” by Junhua Liu, Liang Tian

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Comment on “Chinese and Western sports philosophy and their differences” by Hongsen Chen

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Comment on “Embodiment and inspiration of Chinese philosophy of life in traditional music education” by Jia Wang

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Comment on “Influence of traditional Chinese thought on the performance style and creation of piano music works” by Yusen Feng

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Comment on “Contrast between Chinese and Western cultural values and its effects on English learning in China” by Lili Miao

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Comment on “The free aesthetics of Eastern philosophy, the artistic creation and the influence of Eastern philosophy on contemporary visual art” by Fei Tian

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Comment on “Integration of traditional Chinese music: an evaluation of the interactive influence between traditional music and aesthetic thought” by Qian Lei

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Comment on “Moral thought: evaluation on the moral education and virtue cultivation of traditional Chinese music” by Yan Lin

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Comment on “Yang Naimei – Life practice of a chinese ‘Flapper’ of Women’s development in China” by Shuang Zheng

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Comment on “Aria of thought: philosophical exploration through the expression of vocal music” by Huageng Xu

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Comment on “A Comparative Study of Narrative Thought in Chinese and Western Classical Literature” by Yijun Zhang

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Comment on “The influence of Mencius’ humanism and benevolent government on contemporary society” by Jingyang Sun

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Comment on “Confucian thought of “Harmony between Man and Nature” and contemporary society construction” by Weiwei Ye

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Comment on “Influence of traditional Chinese thought on the performance style and creation of piano music works” by Nan Luo

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Comment on “Chinese values in English translations: issues on cultural accuracy and compatibility and their impact on communication” by Ying Hong

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Comment on “Transformation of educational introspection: evaluation of the current situation and development of basic music education in China” by Fanbo Bu

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Comment on “The philosophical basis and artistic characteristics of contemporary western painting” by Tianyu Dong

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