Vidas desperdiçadas? Uma análise de Estamira, de Marcos Prado, e No quarto de Vanda, de Pedro Costa by Mônica Horta Azeredo

Subjects: “…cinematographic criticism…”
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Spanish cities as filming locations: analysis and spatial distribution by Agustín Gámir Orueta, Patricia Montecino Huedo, Sergio Reyes Corredera

“… The main objective of this article is to show the spatial distribution of Spanish cities according to the degree of their cinematographic projection. For this purpose, a sample consisting of 178 feature films was selected. …”
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The Making-of Documentary: An Approximation to some Discourse Intentions and Contemporary Uses by Armando Andrade Zamarripa

“…The article is divided into three sections: Towards a Definition of the Making-of Documentary, Meta-cinematographic Formats and Functions and Specificities of the Making-of Documentary. …”
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"Realismo" e subalternidade na narrativa brasileira contemporânea: o caso de Tropa de elite by Vinícius Gonçalves Carneiro

“…To understand the power games behind the movie and its reception, it is important to contextualize Elite squad in the contemporary Hollywood production, in a hypothetical Brazilian Realism tradition and in the cinematographic and literary representation of the subaltern. …”
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Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa by Regina R. Félix

“…This article shows the parallel between the psychological process of the characters Tomás, Maria Inês and Clarice and the musical, plastic, cinematographic, and literary forms through which they express their gradual awareness in dealing with their traumas. …”
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Problematizando a indústria dos sonhos: questões sociológicas para analisar o cinema de entretenimento estadunidense by Túlio Cunha Rossi

“…Methodological questions about the analysis of fictional movies and its contributions to Sociology are dealt with, as well as about the presence of cinematographic references and audiovisual media in contemporary life. …”
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Knowledge as Film vs. Knowledge as Photo: Alternative Models in Early Soviet Thought by Steila Daniela

“…In particular, while discussing Einstein’s relativity, Bogdanov considers sense organs, memory, and all the apparatus of human knowledge ‘as a certain kind of cinematographic device’. Sergei Eisenstein deems that cinema is ‘an excellent instrument of perception … for the sensation of movement’. …”
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Tunde Kelani: The Man Exceeds the Frame by Toyin Falola

“…Kelani has spent his career putting things—people, ideas, cultures, traditions, and ideologies—inside the cinematographic frame. It is a most exciting thing to see him too bursting out of every frame with all these multiple achievements that celebrate him Ìrókò! …”
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