The Mountains of Tibet in Powell & Pressburger’s Film Black Narcissus (1947) by Raphaëlle Costa de Beauregard

Subjects: “…British cinema…”
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L’effort de guerre des exploitants non-professionnels du cinéma en URSS (1939-1949) by Irina Tcherneva

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The study of social perceptions about Armenia by digital technologies by A. A. Komarova

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GELENEKSEL MECRALARDA ÇAPRAZ MEDYA VE TRANSMEDYA ANLATILARI ÜZERİNE BİR İNCELEME: AĞIR ROMAN ÖRNEĞİ by Nursel Bolat

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EVOLUTION OF THE CONCEPT OF «WHITE MAN'S BURDEN» IN THE BRITISH CINEMA OF 20TH CENTURY by E. E. Ibrayev

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Kapitalist Sistemin Muhafızları Olarak Hollywood Süper Kahramanları: Süpermen Örneği by KEMAL ÇELİK, SERPİL KIREL

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Şiddet ve Postmodernizm Bağlamında Martin Scorsese Sineması by Onur Karahan

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Self-Sacrifice of a Scientist in Soviet-Russian Cinema by S. M. Medvedeva

Subjects: “…cinema…”
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AI vs. Human in Screenwriting: Is AI the Future Screenwriter? by Kemal Çelik

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Les représentations filmiques de Marie Stuart– Une femme de pouvoir dans l’air du temps by Armel Dubois-Nayt

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Cinéma et urbanité à Tunis sous le protectorat français by Morgan Corriou

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Cinema and Identity: Criss-Cross Reflections by Irina S. Semenenko, Vladimir I. Pantin, Elena V. Morozova

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Facets of classical university: Alexandr Sokurov’ art school in KBSU by Robert Kh. Kochesokov, KH. B. Mamsirov, E. M. Dymov

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The Development and Competition of Cinemas in Jakarta, 1950-1966 by Ghesa Ririan Mitalia

Subjects: “…cinemas…”
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Türk Western’ine Yapısalcı Bir Yaklaşım: Yahşi Batı Örneği by Şükrü Sim, Semih Göncü

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Leni Riefenstahl Sinemasını Tartışmak by Oya Kasap Ortaklan

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Mağduriyetin Sineması: Yunan Yeni Dalgası Üzerine Bir İnceleme by Dilan Tüysüz

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Analysis of the activities of the State Films Fund of Russian Federation in the context of digitalisation by M. I. Kosinova, A. A. Gasilina

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Kibar Feyzo ve Organize İşler Filmlerinde Merkezi İktidar ile Çevrenin Toplumsal Analizi by Koray Çankaya

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Türk Sinemasında Gazeteci İmgesinin İnşası (1933-1965) by Barışkan Ünal

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