Au fil du temps (1976) ou la loi du seuil by Isabelle Singer

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REVISITING RACIAL POTRAYAL IN THE AMERICAN POPULAR FILM by Nerfita Primadewi

Subjects: “…hollywood cinema…”
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Il cinema e la pittura (traduzione di Maria Teresa Badolati) by Michail Cechanovskij

Subjects: “…Cinema…”
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Reflexões sobre a escrita intersemiótica em “A antevéspera”, de Olney São Paulo by Claudio Cledson Novaes

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Madrid, la ciudad quimera by Bénédicte Brémard

Subjects: “…cinema…”
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Défaites au présent et horizons incertains : ouvriers et salariés dans le cinéma français et belge, du milieu des années 1990 à aujourd’hui by Michel Cadé

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La persistance du western : Yellowstone, la Nouvelle télévision et l’histoire américaine by Martin Shuster

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Voyage à travers un baril de poudre : Guerre et imaginaire touristique à Sarajevo by Patrick Naef

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Travelling through a powder keg: War and Tourist Imaginary in Sarajevo by Patrick Naef

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Research of organisation specifics of shooting process in the creation of an audiovisual product by Yu. V. Vorontsova, A. Yu. Mazur

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Film Industry at the Service of EU Identity Politics by E. V. Khakhalkina, A. V. Vyachistaya

Subjects: “…mass cinema…”
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Dallying along the Way: Virginia Woolf at the Crossroads of Cinema and Literary Creation by Adèle Cassigneul

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Elementi stilistici nell’arte cinematografica (traduzione di Olga Trukhanova) by Oleksij Poltorac’kyj

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Preface by François Gallix, Vanessa Guignery

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L’interno e l’esterno. Le rovine e la città. Vertov, Ėjzenštejn, Piranesi (traduzione di Claudia Fiorito) by Michail Jampol’skij

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Naître vers la fin : circularités dans Alumbramiento de Víctor Erice by Miguel Rodrigo

Subjects: “…Spanish cinema…”
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Kino polskie w kontekście międzynarodowym. Manchester, 3-5 grudnia 2009 by Karolina Kosińska

Subjects: “…Polish Cinema in an International Context…”
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Le leggi pittoriche nei problemi del cinema (traduzione di Martina Morabito) by Kazimir Malevič

Subjects: “…Russian Cinema…”
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Geografías de la mirada en el cine documental no institucional: el cuerpo o la cuestión del alejamiento (España 1951-1974) by Sonia Kerfa

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O realismo no modo de representação observacional: Primary, de Robert Drew by Jefferson Guedes

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