Johann Sebastian Bach in the Eyes of Johann Mattheson: On the Cantata ‘Ich hatte viel Bekümmernis’, BWV 21 by Katarzyna Korpanty

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ASPECTS OF THE VOCAL-SYMPHONIC GENRE by Lucian GHIŞA

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« A Single Tone Coming Out Of A Vast, Empty Space » : John Adams, le contemporain au risque de l’anachronisme by Mathieu Duplay

“…While John Adams’s operas often rely on anachronism and temporal distance, his early cantata Harmonium (1980‑81) already raises the question of dissociation and remoteness from the self: first, because it gives pride of place to a famous Emily Dickinson poem about alienation and disaster; secondly, because it also conducts a musical exploration of sound perceived as a paradoxical combination of immediacy and estrangement, presence and emptiness, as if music itself were seen as expressing the quintessence of the contemporary.…”
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Genome assembly and population analysis of tetraploid marama bean reveal two distinct genome types by Jin Li, Christopher Cullis

“…Using 21.5 Gb of PacBio HiFi data, the genome was assembled with two assemblers, HiCanu and Hifiasm, followed by scaffolding with Omni-C data from Dovetail Genomics (Cantata Bio) using HiRise, resulting in a 558.78 Mb assembly with near chromosome-level continuity (N50 = 22.68 Mb, L50 = 8). …”
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Secretarios, música y diplomacia cultural: el inventario post mortem de Juan de Castro Laurel (Roma, 1709) by José María  Domínguez

“…Además de servir como eslabones entre los campos de erudición italiano y español, algunos de ellos desarrollaron una notable actividad poética escribiendo textos per musica (cantatas y óperas) y actuando como traductores o como preceptores en la transmisión de fuentes, temas y argumentos para las óperas. …”
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