Interview with Maestro Renato Bruson, Conducted During the Masterclass in Parma (October 25-28, 2024) by Sergiu GARABAJII

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Renato Bruson: The Art of Singing, Authenticity and Discipline. Connections Between Opera and Chamber Music by Sergiu GARABAJII

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Orphée baro/queer by Raphaëlle Legrand

“…Butler) in order to deal with the wide range of voices attributed to Orpheus (baritone, tenor, alto or soprano castrato, female mezzo-soprano, countertenor) and with travesty roles. …”
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The Tabernacle by Jurica Pavičić, Katarina Reljić, Antonija Primorac

“…He dragged himself over to the device and heard a raspy, elderly baritone from the other side. “Bašić speaking.”He didn’t immediately work out who he was talking to. …”
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ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research by Stefan Balke, Axel Berndt, Meinard Müller

“…At its core, ChoraleBricks provides isolated recordings of individual parts performed by a diverse selection of wind instruments, including flute, oboe, clarinet, trumpet, saxophone, baritone horn, trombone, and tuba. These isolated recordings act as building blocks or “bricks” that can be modularly superimposed to create full mixes with varying instrumentation. …”
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