Uma realidade que ficcionalizou a si mesma: história e subjetividade em Vento sul, de Vilma Arêas by Ana Paula Pacheco

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Âmes sensibles s’abstenir : violence à / de l’art contemporain by Catherine Bernard

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Arthur Danto and Art world by I. N. Nekhaeva

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Post-immersive Listening: Perspectives on the Mediation of Sonic Environments by Budhaditya Chattopadhyay

Subjects: “…artistic research, sonic ecologies, recorded sound, soundscape composition, field recording, film sound, audiovisual media…”
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Application of Artificial Intelligence Virtual Image Technology in Photography Art Creation Under Deep Learning by Qiong Yao

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Türkiye’de Fikir Sanat Dergiciliği: İlk Dönem Hareket Dergisi Örneği by Bilgehan İhtiyar

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Innovative paradigms in New Japanese art: a case study of Yokoyama Taikan's selected artworks by Mao Xing, Sarena Abdullah

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»Lost« »Beyond« »Improvisation«. Bericht von musiktheoretischer Partizipation an drei künstlerischen Promotionsvorhaben by Gesine Schröder

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Arnold Jacobshagen (Hg.), Musik, die Wissen schafft. Perspektiven künstlerischer Musikforschung, Würzburg: Königshausen & Neumann 2020 by Ariane Jeßulat

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Studying Problems of Art Interpretation in Music at University of Culture by S. Yu. Lysenko

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Paule Lévy, Figures de l’artiste, Identité et écriture dans la littérature juive américaine de la deuxième moitié du XXe siècle.... by Emmanuel Vernadakis

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Das paradisziplinäre Paradigma. Anmerkungen zu einem Papier des Wissenschaftsrates by Benjamin Sprick

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Représenter « avec » le rite : réflexivité et danse rituelle dans un tableau murui-muina by Oscar Ivan Garcia

“…Inspired by the logic of the murui-muina ritual dances, the artist creates a mise en abyme effect mobilizing two different forms of reflexivity: one in the artist and the other in the observer. …”
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Goya dans l’historiographie française du xixe siècle : images et textes by Agnès Gué

“…Francisco Goya y Lucientes (1746–1828) gradually made a name for himself, especially for his print cycle Los Caprichos, and was often considered the Spanish artist par excellence. In the second half of the century, many books – sometimes illustrated – about the artist began to appear. …”
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The Masquerade in the Marketplace: dele jegede's Introspections and Reflections In Colors and Lines by Toyin Falola

“…The discussion is centered on the artist as a scholar; the artist-scholar in Africa (Nigeria); and the artist-scholar in the Diaspora (United States). …”
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Tat[o]ueur : pouvoirs du tatouage dans Little Tulip, de Jerome Charyn et François Boucq by Sophie Vallas

“…Little Tulip (2014) is the third collaboration between US writer Jerome Charyn and French comic strip artist François Boucq. This graphic novel moves back and forth between the USSR of the 1940s and 1950s and New York City in the 1970s to tell the story of Paul, a US-born tattoo artist who spent his childhood in a Gulag colony in Siberia where, as Pavel, he learnt his craft. …”
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“Tramando arames, pedras e fios”: espaço e estigma no trabalho de um artista by Carolina Dalla Chiesa, Pedro Henrique de Gois, Gabriela De Luca, Neusa Rolita Cavedon

“…Both the artist and the work are judged and identified relationally. …”
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Les peintures mates d’Antoine Wiertz (1806-1865) by Karine Janssen

“…Faced with the works of Antoine Wiertz, a question arises: Is the washed-out and mat appearance of some of his paintings an artistic intent, or a consequence of alteration. Painted with a technique developed by the artist to achieve a matt appearance, these works are in fact subject to a slow degradation process. …”
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Lucio Fontana and the Architecture by Antonella Chiazza

“…Thus, the article highlights Fontana’s figure as an environmental artist, investigating the artist’s most intimate work and poetics, a topic often neglected by international critics and not highly considered by the most authoritative sources.…”
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