Communicative-visual value of environmental art festival by Antonella Violano, Julio Cesar Perez-Hernandez

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“Fora do Eixo: Estado ou mercado?” Modos de mediação entre produção cultural, política e mercado no Brasil by Victoria Irisarri

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La mise au tombeau peinte par Antoine de Lonhy dans la cathédrale Saint-Jean-Baptiste à Saint-Jean-de-Maurienne by Séverine Haberer

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Mises en désir de Tanger dans les guides touristiques imprimés : formes latentes et transgressives by Anas Sanoussi

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Proverbs in Yorùbá Contemporary Songs by Oluwafunminiyi Mabawonku

Subjects: “…Proverbs, language development, Yorùbá contemporary song Artists, social constrictions, society.…”
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L’innovation de méthodes en urbanisme : freins et leviers d’une entreprise incertaine by Nadia Arab, Elsa Vivant

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La fabrique du musée d’art marocain : L’œuvre de Prosper Ricard by Habiba Aoudia

Subjects: “…Artistic Protectorate…”
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Modern materials and technologies in the production of artificial casting by S. S. Tkachenko, V. O. Yemelyanov, K. V. Martynov

Subjects: “…artistic casting…”
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Synaesthetic emergence: a scoping review of factors facilitating synaesthetic states in non-synaesthetes through arts engagement by Dominik Havsteen-Franklin, Valeria Perboni

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Arts Entrepreneurial Work in Changing Contexts by Rachel Skaggs, Molly Jo Burke, Kuo Guo, Erin J. Hoppe, Elizabeth C. Cooksey

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L’émergence d’un autre ornement Art nouveau au tournant des années 1910 by Aurélien Locatelli

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Activisme culturel au Centre Georges-Pompidou. Le photoreportage exposé (1977-1997) by Assia Quesnel

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La fortune critique d’une monnaie d’or : le coq gaulois de Jules-Clément Chaplain à l’épreuve de la presse (1895-1914) by Katia Schaal

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THE ROLE OF MANAGING THE IMPROVEMENT OF THE TERRITORY IN FORMATION OF IMAGE OF THE MOSCOW CITY by E. Hmelchenko, C. Zaic

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Photographic self-fashioning. The role of photography in community-formation by the skagen painters by Mette Bøgh Jensen

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Lounging Men, Standing Women: Pose and Posture in the Aesthetic Interior by Richard W. Hayes

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Images ‘in the air’ in George Moore’s Lewis Seymour and Some Women and Modern Painting by Fabienne Gaspari

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ÇAĞDAŞ BASKI RESMİ ÜZERİNDEN GÜNCELLENEN BAZI ESKİ RESMETME TEKNİKLERİ-MÜNHASIR SANATSAL YAKLAŞIM ETKİLEŞİMİNE BİR ÖRNEK OLARAK ANDY WARHOL - ANDY WARHOL AS AN EXAMPLE OF THE INTERACTION OF EXCLUSIVE ARTISTIC APPROACH AND SOME OLD PAINTING TECHNIQUES UPDATED THROUGH CONTEMPORARY PRINTMAKING by Abdulsemet Aydın

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Dancing Hands: On Neurodivergent Embodied Knowledge by Anna Püschel

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Professor Vanda Zaborskaitė: Why Classic? by Dalia Čiočytė

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