Dryden de Serge Lemoyne du musée des Beaux-Arts de Montréal by Camille Lavallée Prairie

“…L’œuvre de Serge Lemoyne, Dryden jouit de nos jours d’une renommée créée par la popularité de l’artiste, mais aussi par la représentation culturelle qui réside dans l’œuvre. …”
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Reflections on multimodality: Making the most of Kairotic moments by M. Rebecca Genoe, Darla Fortune, Colleen Whyte

“…Subsequently, we connected with artists and knowledge mobilisation specialists to bring our collective vision to life. …”
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LA RELATION ENSEIGNANT – ELÈVE / ETUDIANT DANS LE CADRE DU PROCESSUS INSTRUCTIF-ÉDUCATIF D’ÉDUCATION MUSICALE by Constantina BOGHICI

“…From the very beginning, we considered that the relation between educator and educated is essential when carrying out the teaching activity in the artistic domain. The few failures we recorded were caused by external causes, unrelated to the teaching process: the lack of native talent as far as the pupil/student was concerned, the family’s lack of interest for the artistic aspects, defectological elements, poor health, etc. …”
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Donald Barthelme’s “Report” and Michal Rovner’s Decoy series, or the Ongoing Art of Telling It Slant by Sandrine Dechaume

“…This article examines how two contemporary artists, American writer Donald Barthelme and Israeli filmmaker and photographer Michal Rovner use overexposure in order to denounce forms of televisual “brain damage.” …”
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THE ART OF USING CULTURAL CORPUS IN THE TALE OF KIEU by Võ Minh Hải

“…This article discusses some characteristics of the artistic style that Nguyen Du used in the corpus system of “The Tale of Kieu”. …”
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A wall painting from the domus of Palazzo Govone-Caratti at Alba Pompeia (Italy) by Greta Acuto

“…The aim of the project was the study of the items from a historical, artistic and scientific point of view with an interdisciplinary approach. …”
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Strategies for Studying Multiple Meanings in Conservation Research by Jan Marontate

“…The objective is not to establish normative principles for what to preserve or how to conserve artistic works. The paper examines how diverse value systems and multiple meanings of contemporary art might be taken into account in conservation research.  …”
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Louise Jopling, esthète réticente, féministe convaincue by Laurent Bury

“…L’engagement dans le sens de l’esthétisme reste pourtant timide dans son œuvre, peut-être par crainte de ne pas trouver d’acheteurs pour des œuvres plus avant-gardistes, et il semble que ce soit plutôt dans le camp du féminisme que Louise Jopling ait déployé son énergie : transformée en objet d’art par le regard de ses portraitistes Whistler et Millais, elle prit soin d’affirmer son autonomie en tant que sujet, devenant en 1880 membre de la Society of Women Artists, ouvrant en 1887 sa propre école d’art pour les femmes, puis en étant en 1901 la première femme admise au sein de la Royal Society of British Artists. …”
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BROOM: An International Magazine of the Arts (1921-1924) : une revue d’avant-garde américaine by Ambre Gauthier

“…It championed a vision of artistic creation that was plural and international, one in which the United States and Europe joined forces to produce universal works. …”
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Rock Music and The Political Scripting of Vietnam War: Reading Dispatches by Michael Herr by Lalit Kumar

“…Using Herr’s Dispatches as a case study, it investigates how rock music encapsulates the war’s ambiguous energy, blurring the boundaries between artistic expression and the realities of conflict. …”
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Le conflit renaissant de la figure et de l’abstraction dans Labyrinthe, journal mensuel des Lettres et des Arts (octobre 1944-décembre 1946) by Blandine Delhaye

“…Those who most assiduously frequented the editorial office in the Place du Molard in Geneva and took part in the conception of the journal were Swiss poet and painter Roger Montandon, Genevan philosopher Jean Starobinski, and artists Giacometti, Balthus and Brassaï. All the articles by these collaborators, permanently fluctuating between tradition and avant-garde, more or less reflect the artistic events of the period. …”
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Standing at Cultural Crossroads: Erskine Nicol’s Representations of Ireland by Amélie Dochy

“…Cet article porte sur le travail de l’artiste Erskine Nicol (1825-1904), dont les tableaux évoquent les différentes traditions artistiques qui ont marqué l’histoire de la peinture européenne jusqu’au XIXème siècle. …”
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Stress Analysis in Glass Artwork by João M. P. Coelho, Catarina Silva, Teresa Almeida

“…The main goal was to develop a methodology to help glass artists to determine the ability of their work to resist the thermal shocks by giving them a hazard map based on the stress map of the glass piece.…”
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The Form and Functioning of the Union of Czechoslovak Writers in the Late 1940s and Early 1950s in the Context of Czech Literature by Michal Bauer

“…The paradoxical role of writers and artists after 1948, i.e. to serve and to lead at the same time, is also discussed. …”
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Aktualizowanie potencjalności twórczej uczniów poprzez integralną ekspresję kulturową usytuowaną w sztukach wizualnych by Katarzyna Krasoń

“…The essence of the strategy lies in the specific organization of child’s perception process regarding a given visual art where the key issue is the artistic expression of the pupils, especially of paratheatrical nature. …”
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Jardiner les décombres by Julie Scapino

“…This article proposes an ethnography of a vegetable appropriation led by a group of artists and “activists of vegetal” on the railway brownfield site of the Parisian petite ceinture. …”
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Necessary qualities and values in the contemporary surgeon by Jorge Luis Estepa Pérez, Tahiluma Santana Pedraza, Jorge Luis Estepa Ramos

“…Some highlight skills and resolving power, others their qualities as artists, craftsmen, technocrats and scientists. However, this is not enough to be a good surgeon. …”
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Du socle au paysage : essai pour un nouveau regard sur les reliefs by Claire Portal

“…As patterns, landforms also participate in the pictorial and lyric composition of artistic works and show themselves as driving elements of the construction of western landscapes models.…”
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Errors in Latin Inscriptions on Renaissance Works of Fine Art by Lazer-Pankiv Olesia, Korolova Nataliia

“…The desire to become a part of the elite class pushed artists, their customers, friends or relatives to place Latin inscriptions on works of fine art. …”
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Les limites du visible : réflexions sur la représentation picturale de l’esclavage dans l’œuvre de Rugendas et de Debret by Alejandra Mailhe

“…En effet, au Brésil, ces deux artistes abordent de manière explicite la thématique esclave, tout en adoptant une perspective de dénonciation malgré les pressions exercées par les institutions impériales. …”
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