„Tabula Rasa”. O medium i pamięci w odniesieniu do twórczości Sarah Charlesworth i pism Rosalind E. Krauss by Filip Pręgowski

“…The article examines a series of serigraphs by American artist Sarah Charlesworth, titled Tabula Rasa, created in 1981, and analyses them in the context of the artistic medium. …”
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Indianisation et dépolitisation des victimes de la guerre au Pérou. L’exemple du mémorial L’Œil-qui-pleure by Dorothée Delacroix

“…It is the work of the artist Lika Mutal in coordination with various human rights activists and is a continuation of the work done by the Truth and Reconciliation Commission (CVR in Spanish). …”
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La sculpture sur le bout des doigts. Retour sur l’élaboration d’une salle pédagogique et tactile au musée Bourdelle by Colin Lemoine, Amélie Simier

“…A sculpture is not the work of a single hand. Besides the artist, many are the assistants working in the shadows. …”
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Les dispositifs optiques au XIXe siècle et la production des images dans Madame Bovary by Jeanne Bem

“…Drawing on the writings of Jonathan Crary and Rosalind Krauss, I argue that Flaubert (who, in addition, had had personal experiences with hallucinatory visions) was not primarily attracted to the idea of the artist as a “realist.” Instead, he considered himself as a visual artist, a producer of autonomous images. …”
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The Investigation of Stefan Luchian Heritage Paintings—A Multi-Analytical Approach by Andrei Victor Oancea, Bogdana Simionescu, Laura Elena Ursu, Mioara Murariu, Marius Dobromir, Maria Geba, Lacramioara Stratulat, Mihaela Olaru

“…Based on a multi-analytical approach involving mobile techniques and lab-based devices (XPS, portable and micro-Raman spectroscopies, and ATR-FTIR spectroscopy, combined with SEM/EDS and optical microscopy), this study presents the first in-depth investigation of two cultural heritage artworks painted by the famous Romanian artist Ștefan Luchian. The research highlights the artist’s use of a wide range of colors, with his palette including classic pigments such as ochers, lead white, barium white, zinc white, and viridian, as well as contemporary colors such as cobalt purple, alizarin crimson, and the little-known indium yellow. …”
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Taking Note: Challenges of Dealing with Graphical Content in TEI by Martina Scholger

“…Thus, the genealogy of artistic concepts and artworks documented in the notebooks will become traceable.…”
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Les notions de fūkei, de ba et de fukkō au cœur d’un projet collectif artistique by Catherine Grout

“…By involving them in a creative process that became political, the artist aimed to encourage their interaction and create an active co-presence consistent with the notion of ba (scene, place, or field). …”
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The Notions of Fūkei, Ba, and Fukkō in a Community Art Project by Catherine Grout

“…By involving them in a creative process that became political, the artist aimed to encourage their interaction and create an active co-presence consistent with the notion of ba (scene, place, or field). …”
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Le Théâtre de la mort de Tadeusz Kantor : un « gué secret » entre les vivants et les morts by Virginie Lachaise

“…It would be tempting to place the whole Tadeusz Kantor’s theater under the sign of the revenance and haunting, so everything is back : the characters, situations, objects, spaces, words and sounds, almost all returning the autobiographical sphere and the religious history and mythology of Poland, homeland of the artist. In the confined space of its Chamber of memory and imagination, the scene, the artist made a machine to view the past spring to the rhythm of ”heartbeat memory“ Children in tatters, the spectra of the family who do not allow themselves to forget, the scraps of old battles Cricot 2. …”
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Pomiędzy queerową subwersją a „middle-class mainstreaming”. O twórczości drag queen Mony Lizak by Magdalena Stoch

“…The author asks about the form (stage style) and content (ideological message) of the artist’s con­ceptual and speculative works and its connections with the tradition of queer performance. …”
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De Masaccio à Stalker: pour une esthétique du seuil et de son franchissement  by Sylvie Castets

“…The intellectual realism of the Middle Ages is replaced by a new mode of figuration. The Renaissance artist leaves one artistic territory in order to explore and define the foundations of a novel art form. …”
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Modernism’s Zoo (Pet and Pen in Virginia Woolf’s Flush) by Frédéric Regard

“…This article plays on the two possible senses of the word “renaissance,” which suggests both the fact of being born again, and that period in European history of an artistic revival, achieved under the influence of classical models. …”
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Poetics of Friction by Nadja Ben Khelifa, Étienne Allaix, Jörg Sternagel

“…Called by these questions, our panel attempts to collaboratively work on corresponding responses within a poetics of friction that is rehearsed, acted out, and tried out in a setting where forces come into play that resist relative motions of solid approaches and beliefs sliding against each other: Whereas the three panelists – a multimedia artist, a cultural theorist, and a philosopher – call with their spoken words, screened images and handout materials, the members of the audience respond to these calls: Like the wheel that needs the concrete surface against its rubber to spin in movement, or the piece of wood that needs the wooden stick rotating against its bark to spark a flame, members of Performance Philosophy need frictions with which both Performance artists and Philosophy scholars slide against each other to spin, to move, to carry on, to reflect, to struggle, to doubt, to aim, to spark flames of inspiration. …”
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D’un antipode à l’autre, trajectoire de trois sculptures architecturales kanak by Marie Adamski

“…Now in the Museo delle Culture Extraeuropee, which houses the artist’s collection in Lugano, Switzerland, they have finally found a museum setting. …”
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bodies of architecture, an Essay on Photomontages / Un essai en photomontages by Caterina Borelli

“…Artist’s statement about the photomontage series bodies of architecture.…”
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ЕMPATHY AS CONDITIONS OF HUMAN CREATIVITY by Tamara N. Matyukh

“…The purpose of this article is to study empathy as a special manifestation of human sensibility in the process flow of the creative act that reveals the essence of the artist's creative activity, developed sensuality is transformed into a work of art. …”
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GEO GOIDACI. THE FUSION OF THE ARTS: SCULPTURE AND MUSIC; GRAPHIC, PHOTO AND DIGITAL ART - INTERVIEW - by Gabriela Coca

“…He became part of the Union of Professional Artists in 1981. He lives in Germany since 1984, in Munich, where he is a sculptor, freelance artist and professor. …”
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Gauguin, Buffalo Bill, and the Cowboy Hat by Nancy Mowll Mathews

“…In this paper, I show how the French post-impressionist artist Paul Gauguin absorbed Buffalo Bill’s dual cowboy and Indian mythologies from his visits to the Wild West show, which ran alongside the 1889 Paris international exposition. …”
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Becoming Homebaked by Jones Samantha

“…This paper examines the democratic co-production between the artist Jeanne Van Heeswijk, the Liverpool Biennial, local citizens and its local and global social network of members, as together they develop alternatives to cultural and economic regeneration. …”
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Cycle of Use, Cracks and Aura in Contemporary Art: Conservation within Art Creation by Asseneth Regis Vives

“…The article focuses on the realization of the “Plafones” series by contemporary artist Gabriel de la Mora, whose creative process integrates ancient ceilings with the expertise of a conservator.…”
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