Vignettes of interdisciplinary technical art history investigation by Joyce Hill Stoner

Subjects: Get full text

The Landbound Chicken and the Deliberate Chameleon yet have their Uses: Yorùbá Art History, Language, and Interpretation. by Kathy Curnow

Get full text

Afterword by Benoît Tadié

Subjects: Get full text

To Collect and Conquer: American Collections in the Gilded Age by Michaël Vottero

Subjects: Get full text

Une reconstruction progressiste du passé : Renaissance et Risorgimento dans « Old Pictures in Florence » de Robert Browning by François Crampe

Subjects: Get full text

Impressionist Art in Private Clubs: The Case Study of the Union League Club (1886-1902) by Claire Hendren

Subjects: Get full text

A Handlist of Illustrated Early Solomonic Manuscripts in German Public Collections by Sophia Dege-Müller, Jacopo, Vitagrazia

Subjects: “…Art History…”
Get full text

Taking Note: Challenges of Dealing with Graphical Content in TEI by Martina Scholger

Subjects: Get full text

Knowledge Graphing Art Archives: Methods and Tools from the Semantic Lab’s E.A.T. Project by M. Cristina Pattuelli, Matthew Miller, Ava Kaplan, Calista Donohoe

Subjects: Get full text

Coptic Christian Symbolism in Art as a Problem of Cultural Studies by D. Y. Pozdnyakova

Subjects: Get full text

Zadání architektonického a uměleckého díla v raném novověku. Mezi hospodářskými dějinami a dějinami umění by Tomáš Knoz

“… Neither economic history nor art history can exist today without a consistent interdisciplinary and transdisciplinary approach. …”
Get full text

Sol LeWitt. The Conceptuality of Drawing by Paolo Belardi

“… Two significant faxes can be found in the archive of the ‘Pietro Vannucci’ Academy of Fine Arts in Perugia: they are worthy of note both because they are signed by two well-known personalities (Sol LeWitt and Bruno Corà) and because they markedly represent a genuine manifesto which is theoretically capable of healing the fracture that traditionally separates architecture and art history in matters of drawing intended as a form of thought. …”
Get full text

Ruptures, renaissances et continuités. Modes de construction de l’histoire de l’art maghrébin by Annabelle Boissier, Fanny Gillet

“…We therefore propose to rethink the implementation of this dominant history by studying the process of writing art history.…”
Get full text

New Report: Prioritization in Museum Collections – A Part of War and Disaster Preparedness by Susanna Carlsten

Get full text

Les collections permanentes du Louvre et l’exposition de l’art contemporain by Ariane Lemieux

“…Contemporary art pieces within the path of ancient art history’s  permanent exhibitions has become a known occurrence for visitors.  …”
Get full text

Archéologie d’un jardin de sculptures du xxe siècle by Aline Gheysens

“…It is on this unusual garden that this research will be borne, which will take the appearance of an archaeology whose modalities will be precisely determined – alternately borrowing from the methods of the anthropological investigation, from Art history or literary analysis, from the concepts of philosophy or psychoanalysis, from the practise of photography and the theories of all fields. …”
Get full text

Les Souffleurs d’images by Joan Despéramont

“…The principle is simple: a drama, circus arts, applied arts or art history student accompanies a visually impaired person to the cultural event of his or her choice (play, circus, exhibition, etc.) to whisper about the elements that he or she cannot see. …”
Get full text

The CEO Art Museum Director: Business as Usual? by Jennifer A. Donnelly

“…The juxtaposition of contemporary and historical examples is meant to help analyze the tensions between the realms of art history and of business in American museums as they continue to redefine their role as not-for-profit cultural institutions responsible for their own financial soundness.…”
Get full text

Les promenades de Paris de Charles-Adolphe Alphand by Chiara Santini

“…In this text, which mentions the first results of a research on theoretical skills and know-how implied in the implementation of the project of Haussmannian open spaces, we shall offer an editorial history of the book and its narrative structure, as well as its originality within the wider framework of literature about gardens’ Art history (financing, circulation, address, conception).…”
Get full text

Pour une approche génétique de l'ébauche by Floriane Philippe

“…How and under what conditions can the “ébauche” become an object of study for art history ? Only a genetic approach, centred on the creative processes, allows a precise comprehension of the phenomenon of the “ébauche”.…”
Get full text