An ‘extraordinary change’ in the Climate: The Transformative Power of Impressionism in George Moore’s Art Criticism by Fabienne Gaspari

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Tilghman B. Crossing boundaries / trans. from Engl. I. N. Nekhaeva by I. N. Nekhaeva

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Voir l’espace et dire le temps : le grand écart du discours esthétique victorien by Laurent Bury

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Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968) by Josnei Di Carlo

“…Concomitantly with his professionalization as an art critic, he became a public intellectual, because of political intervention in the disputes through the big press. …”
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Ryuzo Mikimoto and the Ruskin ‘Relics’ Exhibitions of 1926, 1931 and 1933 by Haruka Miki

“…Attracting about 2,000 visitors, it was the first exhibition in Japan of the nineteenth-century British art critic and social reformer John Ruskin. The exhibits included the first editions of The Seven Lamps of Architecture and The Stones of Venice, the Pre-Raphaelite journal The Germ, and Ruskin’s autograph manuscripts, drawings, photographs and letters Ryuzo collected in Britain in the 1920s, amounting to nearly 150 pieces in all. …”
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Denying the Dichotomy: Word Images in The Waves by Bernadette McCarthy

“…I propose to examine these passages with a visual art critical lens and to consider them as one would a series of paintings.…”
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La critique de paysage peut-elle être scientifique ? by Catherine Chomarat-Ruiz

“…Focusing on the scientific character of the landscape criticism, this article distinguishes this practice from the landscaping hermeneutics and expertise : it compares it to art criticism and brings it back to the critical interpretation of a project. …”
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Walter Pater et la vieillesse : humanité et esthétique de la culture by Martine Lambert-Charbonnier

“…Old worn stones, old aesthetic forms are for future generations witnesses of immemorial times, allowing Pater's nineteenth-century arts critic to spiritually restore the past and contribute to the development of culture thoughout the ages.…”
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The Antinomy of Kitsch: Kitsch as an Aesthetic Category and an Aesthetic / Art-Crititical Property by Lisa Katharin Schmalzried

“…The key to solving this contradiction is distinguishing between kitsch as an aesthetic category and an aesthetic, art-critical property. As an aesthetic category, kitsch is an artifact, performance, or practice whose dominant function is to enable self-enjoyment by effortlessly evoking emotional reactions of the “soft” emotional spectrum with a “sweet” phenomenological quality in a large group of people. …”
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Knowledge and smart sensing for an accessible city. Experimenting on the territory of Friuli Venezia Giulia by Mickeal Milocco Borlini, Christina Conti

“… The contribution presents state-of-the-art critically through the results of some applied research financed with public funds in areas related to the concept of innovability understood as an ‘innovative’ approach to the environmental accessibility of urban places. …”
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Žáner — prekliatie a požehnanie slovenského filmu by Juraj Malíček

“…Therefore, this study will focus primarily on those works that can be considered emblematic to certain genres, but without regard to their success or failure with the audience nor their acceptance by film and art critics.…”
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What is a doctorate concerning landscape ?  by Catherine Chomarat-Ruiz

“…Lastly, it exposes assumptions concerning the scope of a Doctorate with majors in landscape design, in landscape art criticism and in landscape sciences. It then suggests that by attempting to go beyond these oppositions, which boil down to the nature/culture dichotomy, only a last major concerning a theoretical landscape science would be appropriate. …”
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Images ‘in the air’ in George Moore’s Lewis Seymour and Some Women and Modern Painting by Fabienne Gaspari

“…This paper aims to examine the relationships between text and image in George Moore’s fiction and art criticism. After his failure to become a painter in Paris, Moore started to write novels in the 1880s. …”
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Theatre and Psychoanalysis: or Jung on Martin Crimp's Stage: “100 Words” by Solange Ayache

“…Our point is that this “collage” of disarticulated words inserted by Crimp into the dialogue of three anonymous art critics ironically emphasizes the absence of the main character, the suicidal artist, and her refusal to undergo “treatment.” …”
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Conservation Voltage Reduction in Distribution Networks: A Comprehensive Review by Ibrahim Alzubi, Saher Albatran, Issam A. Smadi, Salman Harasis

“…This paper gives engineers and researchers a handy tool to evaluate the state-of-the-art critically, clarify the latest and advanced technologies, and highlight challenges, limitations, and further developments in CVR applications.…”
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Imagens da Arte by Maria Filomena Borja de Melo

“…Before Kant, before contemporary art critics, before a systematic reflexion about art, how was it to talk about art subjects, about beauty, about the art works that were done around? …”
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THE CONCEPT OF THE NATIONAL HERO «QUONAKH» IN PAINTING AND GRAPHICS DURING THE CHECHEN CRISIS (90S OF THE TWENTIETH CENTURY) by Zarema R. Khamzatova

“…The methodology is based on art criticism, comparative and system-constructive analysis. …”
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Èdè Àyàn: The Language of Àyàn in Yorùbá Art and Ritual of Egúngún by Oláwọlé Fámúlẹ̀

“…In my opinion, as this present study is aimed at confirming, the understanding of African art critically requires that scholars be fluent or at least confident in the reading, writing, and speaking of the language of the people whose art they study. …”
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