Showing 41 - 44 results of 44 for search '"allegory"', query time: 0.03s Refine Results
  1. 41

    Music videos as cultural artefacts of the eighties by Retha Van Niekerk

    Published 2022-11-01
    “…The connotative level or the level of representation includes television codes (non-filmic and filmic), narrative codes and intertextual codes The level of myth or the level of ideology includes stylistic or textual devices such as metaphors, allegories, fetishism, voyeurism and parody. This article is that music videos function as mod- ern artefacts which have the potential to express complex cultural meanings to signal a new Weltanschauung (Lorch 1988:143) …”
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  2. 42

    Cosmology of Saint Victorinus of Poetovio: from the Creation of Light to the Creation of Adam by Nikolay A. Khandoga

    Published 2022-12-01
    “…Victorinus, in his original writings - the treatise "On the Creation of the World" and the interpretation of "On Revelation", using various exegetical methods, for example, allegories and typologies - paid particular attention to the meaning and purpose of creation, the first, fourth, fifth and sixth days of creation. …”
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  3. 43

    ESTRATOS SUMERGIDOS Y LA CONDICIÓN DEL CONOCIMIENTO EN AMÉRICA LATINA1,2 by Gisela Heffes

    Published 2023-01-01
    “…En 2019 se publican Things with a History: Transcultural Materialism and the Literatures of Extraction in Contemporary Latin America, de Héctor Hoyos, y Allegories of the Anthropocene, de Elizabeth DeLoughrey. …”
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  4. 44

    ANTHROPOLOGY OF VISUAL SELF-OBJECTIFICATION OF THE PAINTER (BASED ON WORKS BY ARTEMISIA GENTILESCHI) by O. M. Goncharova

    Published 2020-06-01
    “…The biographical method was used when working with data on the painter’s life, iconographic and figurative stylistic (techniques of composition, narrative, color characteristics) – when analyzing the art visuals: self-portraits, allegories and narrative paintings. The analytical work was carried out in stages as transition from an iconographic interpretation of paintings with gradual elimination of art and style characteristics as extra-anthropological cultural constants with subsequent anthropological reduction of cultural image. …”
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