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De fureur et de sang
Published 2020-11-01“…A focus on the practical use of blood and its metaphorical evocation offers the opportunity for a reinterpretation of the mutations, plurality and rivalry on the Western art scene of the 1970s through the prism of the questioning of gender and denunciations of latent and invisible discrimination. …”
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Un largo proceso en la definición historiográfica de las fuentes del arte medieval: el arte antiguo como referente para la escultura románica
Published 2011-01-01“…Since the appearance of the "Romanesque" term, coined by Charles de Gerville in 1818, until the publication in 1960 of the Erwin Panofsky´s book Renaissance and Renascences in Western Art, it was advanced a lot in the definition of such influences. …”
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Beauty and ugliness in Olmec monumental sculpture
Published 2012-12-01“…Beauty and ugliness in Olmec monumental sculpture. Since our Western art tradition has put such a prize on naturalism, we tend to think that other civilizations valued it as much as we did and do. …”
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Palaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller Leros
Published 2023-01-01“…In this context the island of Leros, as part of the Hospitaller Island State (1309-1522), presents an interesting example of the osmosis between Palaiologan and Western art and of artistic developments in areas under Latin rule.…”
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Âmes sensibles s’abstenir : violence à / de l’art contemporain
Published 2017-03-01“…The representation of violence has been central to the history of western art. Modern and contemporary art seems, for its part, to turn violence against art itself in a critical gesture that engages our aesthetic relation and seems to exhaust meaning. …”
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Deconstructing the map of the paradigm struggle: tracing a nationwide debate on “I do not get it” in Art Magazine (Meishu)
Published 2025-02-01“…Abstract Understanding the contemporaneity of non-Western art has gained significant attention from scholars across various academic disciplines and different countries. …”
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Èdè Àyàn: The Language of Àyàn in Yorùbá Art and Ritual of Egúngún
Published 2021-12-01“…Ironically, the same scholars prefer to invest their energy, searching outside of the art’s cultural origin to fulfil their primary goal of “appreciating” the African art, rather than searching within African culture, language and values, the very driving forces that gave rise to this art, and thus a catalyst to understanding it.2 It is on that note that I believe the question that scholars of African art should begin to ask themselves is: when will African art scholarship––unlike Western art studies that often demand intellectual rigor and professional thoroughness––rise above its present art “appreciating” status vis-à-vis African art? …”
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