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    From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy by Elena Gualtieri

    Published 2005-12-01
    “…This paper analyses Roger Fry’s, E. M. Forster’s and Virginia Woolf’s reception of Italy as a way of tracing significant changes in the social function of visual art that marked the beginnings of mass tourism and, at the same time, the emergence of the new relationship between art and politics on which Fascism was built.…”
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    Denying the Dichotomy: Word Images in The Waves by Bernadette McCarthy

    Published 2006-12-01
    “…Roger Fry’s introduction to Britain of the works of Post-impressionist painters was to impact significantly on the artistic development of writers including Virginia Woolf. Out of this convergence of visual and verbal thought, The Waves emerged; a literary work deeply implicated in visual convention. …”
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