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    „Aleksander I jako król polski” pędzla Niccoli Montiego (1819) – malarstwo portretowe w służbie propagandy Królestwa Kongresowego by Mikołaj Getka-Kenig

    Published 2025-02-01
    “…The painting unevenly emphasises the three strands of the official cult of Alexander I as the “resurrector” of Poland after the Congress of Vienna. First and foremost, it stresses justice, followed by a Polish-Russian union and, finally, universal peace guaranteed forever. …”
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  17. 257

    The Extraordinary Imperial Ambassadors to the Conclave during the 1667–1730 Period by Jiří M. Havlík

    Published 2017-02-01
    “…The study is based on the family archives of Harrach (held in the Österreichisches Staatsarchiv in Vienna), and of Collalto and Kaunitz (both are held in the Moravský zemský archiv in Brno) and on the diplomatic correspondence and the recorded agenda of the Imperial Embassy in Rome that is preserved in the Haus-, Hof- und Staatsarchiv in Vienna. …”
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