Showing 1 - 14 results of 14 for search '"The Sopranos"', query time: 0.04s Refine Results
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    REPETITION AND FANTASY IN SPRING, POEM FOR SOPRANO, CLARINET AND PIANO, BY CARMEN PETRA-BASACOPOL by Şerban MARCU

    Published 2013-06-01
    “… The present study, part of the research grant The artistic and social impact of the contemporary music of the 21st century from the perspective of the relationship composer-performer-audience (project director Assistant Professor Cristian Bence-Muk, D.Mus.) investigates the structural and rhetoric aspects in the poem Spring, for soprano, clarinet and piano, by Carmen Petra-Basacopol, on the verses of poet Mariana Dumitrescu. …”
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    Representations and imaginaries of cities in the opening sequences of three U.S. TV series: The Sopranos, Weeds and House of Cards by Marta Gallardo, David García-Reyes

    Published 2022-12-01
    “…Este trabajo analiza la representación de la ciudad contemporánea estadounidense a través de los openings de tres series recientes con notable recepción: The Sopranos (HBO, 1999–2007), Weeds (Showtime, 2005–2012) y House of Cards (Netflix, 2013–2018). …”
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    Le désert des héros : récits de vies solitaires dans les séries américaines de fiction by Joseph Belletante

    Published 2010-04-01
    “…In a post-critic perspective, this article offers a portrait of human “states of mind” that will restitute the spectator his symbolic autonomy, through singular solitudes or the loneliness of a group as is shown by four television series that are no longer in production (Friends, The Sopranos, The West Wing and Ally McBeal) in order to allow a global interpretation and that correspond to the main genres of fiction broadcasted by the American network (comedy, drama, and dramedy).…”
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    Nowe edycje serii „Corpus Musicum Franciscanum” by Tomasz Jeż

    Published 2016-06-01
    “…(post 1645–post 1719), Cantate profane e spirituali per soprano e basso continuo. Red. Ivano Bettin. Padova 2014 Centro Studi Antoniani (= Corpus Musicum Franciscanum 27/3) ss. xiii + 27. …”
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