Żary – The City of Georg Philipp Telemann by Ciesielski Rafał

Subjects: “…georg philipp telemann…”
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Pasticcio, Arrangement, or Adaptation? Georg Philipp Telemann's Pasticcio Judith Based on Fortunato Chelleri's dramma per musica Innocenza difesa by zur Nieden Gesa

“…Telemann not only chose some arias by George Frederic Handel from among the most celebrated numbers in the opera Lotharius (composed by Handel, printed by John Walsh in London, 1730), but he also fostered Chelleri's focus on Judith as a main character. …”
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Ionizing radiation and photodynamic therapy lead to multimodal tumor cell death, synergistic cytotoxicity and immune cell invasion in human bladder cancer organoids by Annabell Reinhold, Annegret Glasow, Sandra Nürnberger, Annett Weimann, Lucie Telemann, Jens-Uwe Stolzenburg, Jochen Neuhaus, Mandy Berndt-Paetz

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La problématique des encres ferro-galliques à travers l’observation d’un manuscrit musical non autographe du 18es by Tatiana Gersten

“…Through the examination of a not original manuscript of Telemann preserved in the library of the Royal Conservatory of Brussels (Sonata 3: flauto a beak, neck cembalo del violino Sigr: Telemann, 18th century manuscript, No. 7117), we shall develop these problems associated with damage caused by the ink and the difficulties of treating this type of artefacts.…”
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Towards soil-transmitted helminths transmission interruption: The impact of diagnostic tools on infection prediction in a low intensity setting in Southern Mozambique. by Berta Grau-Pujol, Helena Martí-Soler, Valdemiro Escola, Maria Demontis, Jose Carlos Jamine, Javier Gandasegui, Osvaldo Muchisse, Maria Cambra-Pellejà, Anelsio Cossa, Maria Martinez-Valladares, Charfudin Sacoor, Lisette Van Lieshout, Jorge Cano, Emanuele Giorgi, Jose Muñoz

“…Samples were analysed by Telemann, Kato-Katz and qPCR for STH detection. We evaluated diagnostic sensitivity using a composite reference standard. …”
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Orphée baro/queer by Raphaëlle Legrand

“…This article uses the queer approach to analyse it in the works of such composers as Peri, Caccini, Monteverdi, Landi, Rossi, Louis Lully, Telemann and Gluck. First, it considers how the mythical material from Ovid and Virgil is reduce and moralised to fit the decorum of operatic genre. …”
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