Comedy’s Double Negation of Meaning in Post-war European Theater by Anna Street

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The “New” Beckett and the Word/Image Parallax: An Infra-Disciplinary Short-Circuit by Robert Kilroy

Subjects: “…Samuel Beckett…”
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The Interpretation is the Message. Komposition als angewandte Interpretation bei György Kurtág by Tom Rojo Poller

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Lire les effets de voix by Dominique Rabaté

“…This article concerns questions of voice, enunciation and the narrator in the works of Louis-René des Forêts, Samuel Beckett, Albert Camus, Henri Michaux, Fyodor Dostoyevsky,et al.…”
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Beckett, Duchamp and Chess: A Crossroads at Arcachon in the Summer of 1940 by Harry Vandervlist

“…L’artiste Marcel Duchamp et le poète Samuel Beckett ont passé l’été 1940 à Arcachon, à jouer aux échecs. …”
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Sublime Gaps by Antoine Dechêne

“…Including close readings of Henry James’s “The Figure in the Carpet” (1896) and Samuel Beckett’s Molloy (1951), this essay proceeds to show that the “metaphysical” character of these texts lies predominantly in their lack of faith in language as a reliable tool to convey the multiple and shifting identities of the unsuccessful sleuth confronted with the meaninglessness of his investigation.…”
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Corpo caligráfico, voz: as escritas em performance de Manoel Ricardo de Lima e Sérgio Medeiros by Annita Costa Malufe

“…Para esto, partimos del concepto de “performance”, de Paul Zumthor, para extenderlo a la lectura crítica de algunos textos de los autores Lima y Medeiros, en diálogo con otros artistas y pensadores de teatro, como Antonin Artaud, Samuel Beckett y Hans-Thies Lehmann.…”
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Harold Pinter’ın Git-Gel Dolap Adlı Oyunu Üzerinden Absürd Tiyatro’da Komiğin İşlevselliği by Gamze Şentürk

“…Absürd Tiyatro insanın büyük trajedisini, yani saçma ama acı olan yaşam gerçeğini komiğe başvurarak trajikomik bir üslûpla ele almıştır. Samuel Beckett, Eugène Ionesco, Jean Genet, Arthur Adamov ve Harold Pinter gibi absürd oyun yazarları komiğin sırtına yükledikleri derin anlamlarla insanlık durumunu ortaya koymaya çalışmışlardır. …”
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