Współczesny brytyjski film o Wielkiej Wojnie i strategie wywoływania emocji u widza by Weronika Hanna Kulczewska-Rastaszańska

“…Saul Dibb) and 1917 (2019, dir. Sam Mendes). The author analyses how, in those movies, the theme of love was interwoven in the cinematic discourse about the war, how the process of identification-projection affects the viewer’s perception of the characters, and what technical nuances (shots, angles, sounds) are frequently being used by filmmakers to achieve particular emotional effect or mood. …”
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