ALFRED SCHNITTKE’S POLYSTYLISTIC JOURNEY: “THE THIRD STRING QUARTET” by Oana ANDREICA

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Linnett Double Quartet Theory, Challenging the Pairing Electrons by Yeganeh Khaniani, Alireza Badiei

“…Their theories were seemed to fit many experiences but had some inabilities. Linnett's double quartet theory could solved some important problems about stability of radicals, paramagnetism / diamagnetism in molecular systems, electronic structure in transition states and finally challenge of resonance and aromaticity. …”
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A TESTIMONY TO THE IMMORTALITY OF THE STRING QUARTET GENRE: GLOSSE BY LUCIANO BERIO by Tudor FERARU

Subjects: “…quartet…”
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INNOVATIVE SOUND EFFECTS AND ELEMENTS OF MUSIC NOTATION IN GEORGE CRUMB’S “BLACK ANGELS” FOR ELECTRIC STRING QUARTET by Tudor FERARU

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ACTIVITIES OF THE MIDDLE EAST QUARTET AND ITS PARTICIPANTS TO ACHIEVE ISRAELI-PALESTINIAN SETTLEMEN WITHIN THE ROAD MAP PROJECT (2003 – 2008) by I. A. Leshchenya

Subjects: “…middle east quartet…”
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Peter H. Smith, Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet, Bloomington: Indiana University Press 2005 by Knud Breyer

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Dániel Péter Biró / Harald Krebs (Hg.), The String Quartets of Béla Bartók: Tradition and Legacy in Analytical Perspective, Oxford: Oxford University Press 2014 by Hans Niklas Kuhn

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Eklektizismus und Experiment. ›Just Intonation‹ in Ben Johnstons späten Streichquartetten by Johannes Quint

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The International Aspect of the Establishment of the State of Palestine by Avad. Zaully

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A SNEAK PEEK INTO LIGETI'S MAILBOX: "IL ME FERA GRAND PLAISIR D’ÉCRIRE UN QUATUOR À CORDES POUR LES ARDITTI. MAIS QUAND? ..." by Bianca ŢIPLEA TEMEŞ

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ENSEMBLES MUSICAUX REPRÉSENTATIFS DE LA PHILHARMONIE « TRANSILVANIA » DE CLUJ-NAPOCA. LES QUATORS À CORDES PENDANT LES ANNÉES 1955 – 1989 by Simona-Mihaela SPIRIDON

Subjects: “…quartet…”
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Spermine Enhances the Peroxidase Activities of Multimeric Antiparallel G-quadruplex DNAzymes by Raphael I. Adeoye, Theresia K. Ralebitso-Senior, Amanda Boddis, Amanda J. Reid, Francesca Giuntini, Amos A. Fatokun, Andrew K. Powell, Adaoha Ihekwaba-Ndibe, Sylvia O. Malomo, Femi J. Olorunniji

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ELENA MARIA ŞORBAN – BOOK QUARTET: 1. THE HISTORY OF MUSIC AND US: CREATIVE PERMANENCIES, 2.... by Anamaria Mădălina HOTORAN

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Mendelssohns Beethoven-Rezeption als Beispiel musikalischer Zitiertechnik by Ariane Jeßulat

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Synergistic Antibacterial Action of Norfloxacin-Encapsulated G4 Hydrogels: The Role of Boronic Acid and Cyclodextrin by Monica-Cornelia Sardaru, Irina Rosca, Simona Morariu, Elena-Laura Ursu, Alexandru Rotaru

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›Der leere Platz‹. Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 by Benjamin Sprick

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»Das Geschriebene darf nicht ernst genommen werden – das Geschriebene muß todernst genommen werden«. Zur Notation und Interpretation musikalischer Gesten im Schaffen György Kurtágs... by Tobias Bleek

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Das galante Modell als kreativer Raum by Johannes Raiser

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›Ur‹-Linie und thematischer Prozeß. Die formbildende Rolle der Subthematik in Beethovens Streichquartett op. 95 by Folker Froebe

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Zyklizität und Drama(turgie) in Scelsis viertem Streichquartett by Volker Helbing

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