Material study and conservation of face-mounted photographs and digital prints by Mireya Arenas, Silvia Garcia Fernandez-Villa

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De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre by Anne-Bénédicte Mérel-Brandenburg

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Gradient pooling distillation network for lightweight single image super-resolution reconstruction by Zhiyong Hong, GuanJie Liang, Liping Xiong

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Le renouveau de l’approche documentaire, exemple d’une archive collaborative : Susan Meiselas, Kurdistan (1991-2009) by Clara Bouveresse

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Photography and Archive Fever in Richard Kalinoski’s Beast on the Moon (1995) by Laurence Petit

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Issues of conservation and restoration of two photographic works by Zbigniew Dłubak: Onona and Desymbolisations by Monika Supruniuk

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Vers l’image aveugle : George Oppen et l’usage de la lumière by Xavier Kalck

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Butterfly fauna (Lepidoptera: Rhopalocera) of Donji Emovci, Požega, Croatia by Toni Koren, Goran Letić

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Outros olhares para outras Américas: cultura visual e fotografia na América Latina pós-tradicional by Sérgio Luiz Pereira da Silva

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Smartphone Photography to Communicate Science by Lisa K. Lundy

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FAIR Photos – Transforming a Collection of Two Million Historical Press Photos into Five Star Data by Leon van Wissen, Nico Vriend, Antoinet Nijssen, Lars Vereecken, Menno den Engelse

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Framing the Land: Canadian Landscapes Revisited in Jin-me Yoon and Lorraine Gilbert’s Photography by Gwendolyne Cressman

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Le Grain et la bulle : photographies du catalogue New York USA (2002) de Dolores Marat by Muriel Adrien

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Photobooks dedicated to Gunkanjima: Random Personal Memories or Strategical Publications? by Cecile Laly

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straight nose, queer mouth by Élodie Grethen

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Examining Students’ Perceptions of Equity in Informal STEM Education: A Community-Engaged, Visual Method by Karie Jo Peralta, Sloan Eberly Mann

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Fragmentary data and scattered lands: a recording protocol for a comparative archaeothanatological analysis based on archaeological illustrations by Anastasia Chrysanthi Solomou

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Photographie et écologie aux États-Unis: l’image à contre-emploi by François Brunet

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Behind the lenses: Biases in the contribution of wildlife photography to biodiversity representation by Héctor Ruiz‐Villar, Ana Morales‐González, Jon Morant

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Unfixing the Frame: Visualizing Histories of Transcultural Contact, Exchange & Performance in Prince Roland Bonaparte’s Peaux-Rouges (1884) by Emily L. Voelker

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