Ce qui fait travailler les élites by Joël Laillier, Sébastien Stenger

“…The article compares the forms and roles that these commitments assume in two groups that seem so opposite to one another, based on two field studies of Big Four auditing firm consultants and Paris Opera Ballet dancers. It reveals that intensive commitment relies less on economic motives or passion than on professional socialisation processes that seem similar and specific to elite groups.…”
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Créations ciné-lyriques de l’entre-deux-guerres by Marion Sergent

“…In 1921, the Gaumont-Palace inaugurated a type of production resorting to both forms with Les Valses de l’Amour et de la Mort by Jean Nouguès, but the Paris Opera did so too, with its use of magic lanterns at the end of the 19th century. …”
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