The Reversed Canvas: A Topos of Conflict Between Commercial and Aesthetic Values in Nineteenth-Century Paris and London by Richard Read

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La médiatisation comme médiation de la restauration ? by Geneviève Reille-Taillefert

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To Collect and Conquer: American Collections in the Gilded Age by Michaël Vottero

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Bouches béantes et voix blanches dans le théâtre de Howard Barker by Vanasay Khamphommala

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Faire voir l'Orient : réflexion sur un artifice victorien by Laurent Bury

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Matériaux et structure des « brocarts appliqués » dans les anciens Pays-Bas méridionaux by Delphine Steyaert, Jana Sanyova

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L'emploi du citrate de triammonium pour le nettoyage des couches picturales contemporaines by Caroline Dupré

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Uruguayan Mural Painting heritage: Patrimonial activation, scientific catalogation and its socio historic repercussion by María Jesús Guirado, Andrea Lage Hermida, Virginia Santamarina Campos, Dolores Julia Yusa Marco, Mercedes Sánchez Pons

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Revue de l’exposition The Color Line – Les artistes africains-américains et la ségrégation (1865-2016) by Églantine Morvant

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La pintura francesa en los primeros años de La Ilustración Española y Americana (1870-1880) by Lola Bermúdez Medina

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Caractérisation physico-chimique de pigments de peintures murales mochica : San José de Moro (viiie-xe siècles apr. J.-C.) by Nicola Sardos, Nino Del-Solar-Velarde, Rémy Chapoulie, Luis Jaime Castillo Butters

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De la main à l’esprit : étude sur les techniques et les styles des peintures murales dans l’ancien diocèse de Tours entre les xie et xve siècles by Amaëlle Marzais

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Luciano Freire: between tradition and novelty by Maria da Conceição Lopes Casanova

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Who’s In and Who’s Out? War News from Mexico and the Framing of Evil by Alan Hirsch

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Cinema e pittura (traduzione di Tamara Đokić) by Vladimir Petrić

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L’Antiphonaire d’Oosteeklo et son enlumineur (Cornelia van Wulfschkercke ?) by Dominique Vanwijnsberghe

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Le rendez-vous manqué de Bouvard et Pécuchet avec la peinture by Stéphanie Dord-Crouslé

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Tracing Ophelia from Millais to Contemporary Art: Literary, Pictorial and Digital Icons by Laurence Roussillon-Constanty

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O papel do sujeito face à imagem. Interpretações estruturo-fenomenológicas: o caso de estudo das Pinturas murais de São Francisco de Bragança by Inês Afonso Lopes

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Palaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller Leros by Kefala Konstantia

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