« Certains lieux de la peinture », comme expérience ontologique, de révélation chez María Zambrano  by Camille Lacau St Guily

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In Sight of Mont Blanc: an Approach to Ruskin’s Perception of the Mountain by Laurence Roussillon-Constanty

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Etudes menées sur les sculptures d'Auvergne en bois polychromé by Marie-Blanche Potte, Dominique Faunières, Agnès Blossier, Lucretia Kargère

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Better Than the Real Thing: Processed Reality in Victorian Art and Fiction by Béatrice Laurent

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The conservation of a 19th century framed miniature portrait painted on ivory by Violeta Machado Prin

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Twelfth and early thirteenth century polychromy at the northernmost edge of Europe: past analyses and future research by Kaja Kollandsrud, Unn Plahter

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La Prise de Calais, une campagne de conservation-restauration épique ? by Olivier Verheyden

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“O’er-dyed blacks” (1.2.131) : les couleurs dans Le Conte d’hiver by Sophie Chiari

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‘Why is it that a photograph always looks clear and sharp, — not at all like a Turner?’ John Ruskin & Perceptual Aberration by Lawrence Gasquet

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The Differences in Understanding Hominized Being in the Art Philosophy of Šliogeris and Heidegger by Tomas Kavaliauskas

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Le Trône de Grâce : étude et la restauration d’une Trinité lorraine du XVe siècle by Muriel Oiry

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The procedure of wax-resin linings by the painting restorers Johannes Albertus Hesterman (1848-1916) and sons by Saskia van Oudheusden

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Restoration of artworks in the Berlin royal picture collection between 1797 and 1830 by Robert Skwirblies

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The Trinity with Saints formerly Attributed to Jacopo Palma the Younger by Dóra Fekete, Judit Fiam, Edit Miko, Rebeka Tisla

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Standing at Cultural Crossroads: Erskine Nicol’s Representations of Ireland by Amélie Dochy

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Das artes tradicionais à economia criativa: a pintura indígena da Austrália e sua inserção no sistema das artes by Ilana Seltzer Goldstein

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Art d’aujourd’hui, patrimoine de demain. Conservation et restauration des œuvres contemporaines by Muriel Verbeeck-Boutin

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La matière des images dans The Duchess of Malfi by Anne-Valérie Dulac

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Case Study of The Divine Shepherdess Painting by Megan Crouch

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Regard « spectral » sur la peinture britannique des XVIIIe et XIXe siècles by Laurent Châtel

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