THE CHORAL FRAMEWORK IN THE OPERA DECEBAL BY TEODOR ZGUREANU by Luminiţa GUŢANU

Subjects: “…Opera…”
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THE CHORAL OUTLINE IN THE OPERA “ALEXANDRU LĂPUŞNEANU” BY GHEORGHE MUSTEA by Luminiţa GUŢANU

Subjects: “…Opera…”
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LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE by Diana TODEA

Subjects: “…opera buffa…”
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“L’OPERA SERIA” ET SES RÉFORMES by Diana TODEA

Subjects: “…opera seria…”
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AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY by Luminiţa GUŢANU

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GIUSEPPE VERDI IN VICTORIAN LONDON by Massimo ZICARI

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OPERA AND FILM – AN UNLIKELY MARRIAGE by Julianna KÖPECZI

Subjects: “…opera…”
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MOZART’S MINUET by Ecaterina BANCIU

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“INTEGRITY, DISCIPLINE AND HUMBLE, CONSTANT HARD WORK – THESE ARE THE SECRETS OF A LONG AND SUCCESSFUL CAREER” by Adél FEKETE

Subjects: “…opera…”
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I. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI’S OPERAS FENENA’S PRAYER: OH, DISCHIUSO È IL FIRMAMENTO by Adél FEKETE

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VERDI AND WAGNER IN EARLY VICTORIAN LONDON: THE VIEWPOINT OF “THE MUSICAL WORLD” by Massimo ZICARI

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OPERA AND ITALIAN IDENTITY: THE LONG VIEW by Stefano CASTELVECCHI

Subjects: “…Opera…”
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The cathedral of modern civilisation. The Teatro Real of Madrid and the definition of the respectable new elite, 1850-1895 by David San Narciso

Subjects: “…Opera House…”
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THEATRICAL LIFE AND REPERTOIRE OF THE MARIONETTE THEATRE OF ESTERHÁZ by Kata ASZTALOS

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THE PORTRAIT OF RUXANDA IN THE OPERA ”ALEXANDRU LĂPUŞNEANU” OF THE BESSARABIAN COMPOSER GHEORGHE MUSTEA by Luminiţa GUŢANU

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“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN by Gabriela COCA

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“IT IS EMOTION AND STRENGTH THAT WE ARE CONVEYING THROUGH MUSIC” by Adél FEKETE

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LE STYLE NATIONAL DANS LES ŒUVRES DE L’OPÉRA ROUMAIN EN TRANSYLVANIE PENDANT LA PÉRIODE ENTRE LES DEUX GUERRES by Otilia Maria CONSTANTINIU

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Viewing the African Political Leadership Challenge through the Lens of Music Drama: Reflections on Duro Ladipo’s Ọba Kòso by Kayode Samuel

Subjects: “…African underdevelopment, Political leadership, Yorùbá folk opera, Duro Ladipo, and Music drama…”
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LA PRÉFIGURATION DU SPECTACLE D’OPÉRA by Diana TODEA

Subjects: “…opera…”
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