Bawiji Musical Ensemble and its role in preserving the folk heritage of the Quesengq region by Chiey Kamal Saddi

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In the Shadow of the Dresden 'Hofkapelle'. Jacob Heinrich von Flemming and His Music Ensemble by Szymon Paczkowski

“…Flemming (1667–1728), Saxon field marshal and first minister of the Saxon Privy Cabinet, set up his own music ensemble. This article is devoted to the history, line-up and profile of that ensemble. …”
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Moldavian Csángó Folk Musical Instruments and Ensembles Changes through Temporal, Social, and Political Perspectives by József Brauer-Benke

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Entre critique et poésie, les voies d’une écriture : la Cantata per Maria Magdalena (2017) de Jean-Yves Casanova by Philippe Gardy

“…This poetic and musical ensemble is part of the long tradition of texts dedicated to the legendary presence of Mary Magdalene in Provence, notably around the site of the Sainte Baume. …”
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Jouer du sorûd en Oman dans le cadre cérémoniel du damâl, parcours d'un musicien baloutche à Mascate by Romain Mascagni

“…I will highlight the importance of Ali for the social sphere in which he is included, as well as his leader role of an musical ensemble. The damâl described here echoes ritual ceremonies that have been observed in Balochistan. …”
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Digital and physical re-creation of ancient Chinese bells: new understandings and discoveries by Kin Sum Li

“…The study seeks to answer a series of questions, including whether replication of bells was practiced in ancient times, how casters could predict the tones a bell would produce before casting, and how a set of bells used as a musical ensemble could have been developed over history.…”
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Distinct and content-specific neural representations of self- and other-produced actions in joint piano performance by Natalie Kohler, Natalie Kohler, Anna M. Czepiel, Anna M. Czepiel, Örjan de Manzano, Örjan de Manzano, Giacomo Novembre, Peter E. Keller, Peter E. Keller, Arno Villringer, Daniela Sammler, Daniela Sammler

“…Overall, these findings support the notion of parallel, distinct, and content-specific self and other internal forward models that are integrated within cortico-cerebellar auditory-motor networks to support smooth coordination in musical ensemble performance and possibly other forms of social interaction.…”
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“As a chief needs men, so men need a chief” by Céline Lambeau

“…Here, we will attempt to counter this tendency by examining the matter of musical direction from a psychosocial perspective, that of the “small groups” that all musical ensembles constitute by definition—dynamic entities whose fate cannot be reduced to the sum of its members’ individualities. …”
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Emmanuelle Dantan, Lasse ! de male hore fui nee ! Voix féminines dans la lyrique d’oïl, représentations et discours by Emmanuelle Dantan

“…Even while being focused on the lyric production of the medieval period, this thesis addresses fundamental issues of our present-day by shedding light on the array of interpretations currently adopted by medieval music ensembles, thereby providing them with a new understanding of these songs and the voicing of the female discourses represented in them.…”
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This is my Instrument: An Approach towards Performance Practice for Integrated Concerts by Thomas R. Moore

“…The Belgium-based Nadar Ensemble is a new music ensemble that specializes in performing curated and integrated concerts. …”
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Gendered Musicking Among: the Ebira People of Kogi State, Nigeria by Aluede Charles Onomudo, Abdullahi Agatha Ngozi

“…It was also observed that of the seven musical ensembles in Ebiraland, women play instruments in two, that is, 29%. …”
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A música na Armada brasileira no final do século XIX: dos quartéis aos navios em comissão by Anderson de Rieti Santa Clara dos Santos

“…The presence of musical ensembles aboard the ships of the Brazilian Navy in commissions of visits and di-plomatic representations in other countries of the late nineteenth century shows how the Navy sought to compose such ensembles in terms of personnel and material and aimed at training its musicians for the prac-tices that would take place in terrestrial units and in belonaves. …”
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TEACHING STUDENTS TO PLAY THE PIANO ON OLD AND INSUFFICIENT INSTRUMENTS IS THE SAME AS “TEACHING THEM TO SWIM WITHOUT WATER” by Mirela MERCEAN-ŢÂRC

“…She is a permanent member of the Ars Nova contemporary music ensemble and together they promoted both the Romanian and the European modern contemporary music. …”
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The cadenza woodwind dataset: Synthesised quartets for music information retrieval and machine learningZenodo by Gerardo Roa Dabike, Trevor J. Cox, Alex J. Miller, Bruno M. Fazenda, Simone Graetzer, Rebecca R. Vos, Michael A. Akeroyd, Jennifer Firth, William M. Whitmer, Scott Bannister, Alinka Greasley, Jon P. Barker

“…The data was created to be used as training data within Cadenza's second open machine learning challenge (CAD2) for the task on rebalancing classical music ensembles. The dataset is also intended for developing other music information retrieval (MIR) algorithms using machine learning. …”
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Blending Mon and Thai cultural practices in Piphat Mon performance traditions of Central Thailand by Chayuti Tassanawongwara, Hanafi Hussin

“…With regard to the classical element, the Piphat Mon is regarded as an invaluable, remarkable music ensemble, and it is considered an image of Thai music traditional values associated with Mon culture. …”
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Stories and Memories of Sinti Estraixaria by Antonella Dicuonzo

“…Between the Sixties and the Eighties of the 20th century, the ingenuity of certain family musical ensembles ensured that the “craft of the musician” took shape as a “profession” – with even fortunate results for certain periods – although then the world of Gage, with its “rules” and bureaucracy, presented these protagonists with challenges that were in some ways insurmountable. …”
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Labor protests of employees of cultural organizations by Petr V. Bizyukov, Taisiya A. Vishnyakova

“…This is primarily due to the creative and unique nature of the work performed by those working in cultural institutions such as theaters, musical ensembles, museums, libraries, and the like. Despite attempts to regulate this challenging activity and establish adequate wage systems, this is not always successful. …”
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THE CONCERT IN THE (GERMAN) DRAWING ROOM. CONCERNING THE THEME OF MEDIAN QUALITY OF THE ART OF MUSIC / КОНЦЕРТ В (НЕМЕЦКОЙ) ГОСТИНОЙ. К ТЕМЕ О МЕДИАЛЬНОСТИ МУЗЫКАЛЬНОГО ИСКУССТВА... by NOVAK N. / НОВАК Н.

“…Proposals of the leading music ensembles, such as the Berlin Philharmonic or the Viennese State Opera, regarding dissemination of production within the framework of online broadcasts are perceived by the author in the vein of preservation of the “concert-like” atmosphere. …”
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