THE COLLECTION OF MANUSCRIPTS FROM THE NOUL-NEAMŢ MONASTERY by Stela GUŢANU

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DER MUSIKALISCHE SPRACHE DES KOMPONISTEN PIERRE VILLETTE IN DEN „A CAPPELLA MOTETTEN HYMNE A LA VIERGE (OP. 24) UND PANIS ANGELICUS (OP. 80)“ by Miklós FEKETE

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“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN by Gabriela COCA

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LE STYLE NATIONAL DANS LES ŒUVRES DE L’OPÉRA ROUMAIN EN TRANSYLVANIE PENDANT LA PÉRIODE ENTRE LES DEUX GUERRES by Otilia Maria CONSTANTINIU

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The Good, The Bad and The Legacy of Kwaito by Madimabe G. Mapaya, Thulani G. Zulu

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DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT by Miklós FEKETE

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GIUSEPPE VERDI: UN BALLO IN MASCHERA by Júlia KÖPECZI KIRKÓSA

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“JANKO”, THE “FOLK OPERA” LISZT NEVER WROTE by Mónika IVÁNYI-PAPP

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LA PRÉFIGURATION DU SPECTACLE D’OPÉRA by Diana TODEA

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UMWERTUNGEN IN LISZTS WASSER-MUSIK by Márta-Adrienne ELEKES

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DIE UNTERSUCHUNG DER WERTE RELIGIOSO UND „LUGUBRE“ IN DEN KLAVIERWERKEN „AUX CYPRÈS DE LA VILLA D’ESTE – THRÉNODIE I., II.” UND „SURSUM CORDA” VON FRANZ LISZT by Miklós FEKETE

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Cumhuriyet ile Yaşıt Bir Kültürel Miras: Tarihi Tire Bandosu by Hakan Ertep, A. Küşad Terci, Sevcan Sönmez

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A comprehensive review of metasurface-assisted direction-of-arrival estimation by Huang Min, Li Ruichen, Zou Yijun, Zheng Bin, Qian Chao, Jin Hui, Chen Hongsheng

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Book Review: by Margulis, E. H., Loui, P., & Loughridge, D. by Nikki Moran

“…Music & Science…”
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A speech recognition method with enhanced transformer decoder by Hengbo Hu, Tong Niu, Zhenhua He

“…EURASIP Journal on Audio, Speech, and Music Processing…”
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MICA TIGANIADA OU L’AVENTURE DU FOLK-ROCK ROUMAIN PENDANT LA PÉRIODE COMMUNISTE by Luana STAN

“… Mica Tiganiada is a Romanian folk-rock music composed by Phoenix in 1972, during the communist era, when rock music was forbidden. …”
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Co dzieci myślą o muzyce? Interpretacja muzycznych i literackich treści utworu Sanctus w wypowiedziach dzieci by Ewa Szatan

“…Words are unambiguous and it allows the meaning of phenomena to be defined. Music has many meanings, but words are needed so that music can be described. …”
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