Das Große und das Kleine. Tempowahl und andere Entscheidungen in der Interpretationspraxis von Schuberts Winterreise by Bartolo Musil

“…On the one hand, tempi and other interpretative choices are based on conceptional considerations – either purely musical or related to a “theatrical” narration. On the other hand, they are shaped by practical and physiological circumstances ranging from the artistic profile of the performers and their condition on the day of performance to the choice of venue and instrument. …”
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Überlieferte Tempoangaben im 17. und 18. Jahrhundert und ihre mögliche Übertragung auf Bachs ›Goldberg-Variationen‹ by Michael Hell

“…Originally planned as a lecture recital with musical demonstrations, this article focuses on the author’s experience with the traditional absolute and relative tempo indications of the seventeenth and eighteenth centuries (especially those given by Michel L’Affilard, Raoul-Auger Feuillet, and Louis-Léon Pajot, but also those given by Johann Joachim Quantz and Johann Philipp Kirnberger) and their transferability to selected variations from Johann Sebastian Bach’s “Goldberg Variations,” BWV 988. …”
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« Grândola Vila Morena » : l’hymne de la contestation portugaise by Marie-Noëlle Ciccia

“…Écrite et enregistrée en 1971 par l’artiste engagé José Afonso (Zeca Afonso) en hommage à la « Sociedade Musical Fraternidade Operária Grandolense » (Société musicale Fraternité ouvrière de Grândola — petite ville agricole de l’Alentejo au Sud du Portugal), la chanson « Grândola Vila Morena » est devenue un chant à la fois politique et fortement identitaire, symbole de la contestation du pouvoir, dès lors qu’elle a été choisie par les militaires comme signal de la révolte contre le régime salazariste l’Estado Novo, et diffusée à la Radio Renascença de Lisbonne dans la nuit du 24 au 25 avril 1974. …”
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A poética dialógica da canção: uma reflexão conceitual a partir do referencial bakhtiniano by Laís Domingues Fujiyama, William Teixeira

“…A metodologia se constituirá da análise das diferenças e semelhanças entre os parâmetros que fundamentam o pensamento de cada teoria a respeito da poética e suas relações com as próprias cosmovisões e teorias filosóficas, por exemplo: a expressão gerada a partir da ideologia no caso do autor Volóchinov, o conceito de obra como dado exterior à consciência na visão formalista e analisada criticamente por Medviédev; e a poética na forma dialógica, aberta e participativa na visão de Bakhtin dada no exemplo do romance polifônico de Dostoiévski e aqui vislumbrado no campo musical, mais especificamente na canção. Como resultado parcial pretendemos demonstrar porque a visão bakhtiniana parece-nos mais completa no que diz respeito a uma teoria da poética dialógica, pautada no ato criativo como escolha e não à uma adequação estética pré-estabelecida, difundida nos meios de expressão através de uma complexa relação entre forças e tendo a performance como a corporificação deste processo criativo, bem como a percepção e a fruição atuando também no processo poético. …”
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AirStrum: A virtual guitar using real-time hand gesture recognition and strumming technique by Beulah ARUL, Shashank PANDA, Tushar NAIR

“…The existing guitar simulation programs require additional devices such as Electromyography (EMG) controllers, or Musical Instrument Digital Interface (MIDI)-based recording devices. …”
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Formgestaltung aus aufführungspraktischer Perspektive. Zur Interpretationsgeschichte von Beethovens 33 Veränderungen über einen Walzer von A. Diabelli op. 120 by Thomas Glaser

“…Complete recordings of this cycle offer ample opportunities to reconsider methodological approaches in musical performance studies. Discussions of the staging of large-scale form in performance emerge from quantitative and qualitative software-based research into sixty-six complete recordings. …”
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Activismos creativos en la comunidad soviet wave: fantasmas de un futuro soñado by Ingrid Sánchez Téllez, Juan Contreras Escobar, Claudio Contreras Escobar

“…El objetivo de este artículo es estudiar las imágenes del género musical soviet wave a partir de la función estética de la nostalgia como resultado de la ruptura temporal que significó la caída de la ex Unión Soviética y otros desastres aunados, como el de Chernóbil. …”
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Impacto de Intar Radio, la primera emisora de radio online creada en España con IA by Concepción Gómez López

“…El objetivo del estudio es evaluar el impacto de las voces virtuales creadas con IA en la audiencia y determinar si este proyecto radiofónico puede superar en credibilidad y/o en audiencia los datos de otras emisoras de radio temática musical dirigidas por humanos (Cadena 100, Los 40, Los 40 Classic, Cadena Dial). …”
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La importancia de la música de fondo: comunicación con el cliente by Marlene Loureiro

“…En esta investigación se llevó a cabo un estudio de caso en una superficie comercial, con el fin de comprender si el género musical, así como el tempo de la música influyen realmente en la impresión que los clientes se llevan sobre el ambiente del espacio comercial. …”
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Secretarios, música y diplomacia cultural: el inventario post mortem de Juan de Castro Laurel (Roma, 1709) by José María  Domínguez

“…En él se incluyen cuadros e instrumentos musicales susceptibles de ser analizados desde una triple perspectiva que conjugue los estudios sobre mecenazgo musical, el estudio de la materialidad y del «gusto delle cose» propuesto por Renata Ago y, por último, la topografía de la música en el interior de los palacios y la reconstrucción del público asistente.…”
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The Gesangleiter in Joseph Riepel’s Baßschlüssel (1786) – First Part by Stefan Eckert

“…Joseph Riepel’s Anfangsgründe zur musikalischen Setzkunst (Fundamentals of Musical Composition) is an important source for our understanding of eighteenth-century compositional theory and pedagogy. …”
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Piloting creative engagement strategies to explore themes of parenthood with fathers by Iryna Culpin, Iryna Culpin, Catherine Lamont-Robinson, Mark Billington, Matthew James, James Prewett, Gareth Ward, Mireia Bes Garcia, Giovanni Biglino, Giovanni Biglino

“…Two further shorter sessions followed as fathers' key messages emerged, and the final forms of their own creative expressions crystallised.ResultsThe final pieces included a musical composition around sharing vulnerability as a new father, a word cloud to represent gendered language of parenthood, an animated graphic image representing the bond between father and child, a combination of short poetic stanzas highlighting assumptions around fatherhood, an experiential photographic record of a father and a son in the early years, and a cartoon strip around emotional intelligence in parenting.DiscussionArts-based participatory engagement enabled to capture deep-rooted experiences of being a father in modern society, illuminating common cultural and intergenerational perspectives, while also tapping into unique individual experiences. …”
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Design, Content and Ecological Validity and Reliability of the Physical Activity and Sport Habits Questionnaire for Children Aged 8–12 Years in the Province of Gipuzkoa (Spain) by Aduna Badiola-Lekue, Irantzu Ibañez, Maite Fuentes, Javier Yanci, Oidui Usabiaga, Aitor Iturricastillo

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Empatía y factores asociados en varias fases del desarrollo curricular en estudiantes de medicina en México by David Luna, Rosa Paola Figuerola-Escoto, Diana Ivette Urquiza-Flores, Pedro Jesús Saturno-Hernández, Carolina Carreño-Morales, Fernando Meneses González

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Exzentrisch geformte Klang-Landschaften. Dimensionen des Zyklischen im Lichte von 106 Tonaufnahmen von Schuberts Winterreise aus dem Zeitraum 1928–2020 by Christian Utz

“…Hermeneutic and analytical interpretations of the work reveal a tension between cyclical coherence and fragmentation, and they problematize identity concepts and the idea of “musical unity” in a variety of ways. On the basis of the multitude of transposition variants on which the recordings are based, a new view of the macroharmonic tonal structure of Schubert’s work is suggested (also drawing on Neo-Riemannian theory); it is also shown how the decision to use a certain transpositional variant may have a fundamental impact on cyclical dramaturgy. …”
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Diseño de una propuesta educativa en educación física para fomentar andar al colegio en adolescentes by Romina Gisele Saucedo-Araujo, Francisco Javier Huertas-Delgado, Javier Molina-García, Amador Jesús Lara-Sánchez, Palma Chillón, Josef Mitas, Manuel Herrador-Colmenero

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Investigating and Completing Khanlari’s Theory on Metrical Units by Abbas Jahed Jah

“…Introduction Metrical units are crucial in the musical structure of poetry, and therefore, scanning the meter into units and naming them has always been a critical part of the study of prosody. …”
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Emil Młynarski w operze w Warszawie (1898–1902) by Elżbieta Szczepańska-Lange

“…But Mlynarski persevered and eventually was permitted to conduct a rehearsal of Carmen, a work with which fortunately Mlynarski was very well acquainted” (“Emil Mlynarski”. The Musical Times, May 1, 1915). Po udanej próbie i entuzjastycznie przyjętym spektaklu „Carmen”, książę sprawił, że Młynarski podpisał 3-letnie engagement w charakterze kapelmistrza, ale tylko opery polskiej (pierwszym dyrygentem równolegle działającej sceny włoskiej po śmierci Cesare Trombiniego zostanie mianowany Vittorio Podesti). …”
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