Partituren zum Lesen und Schauen . Bildlichkeit als Merkmal graphischer Notation by Gesa Finke

“…Graphic notation stresses the visual qualities of musical notation, i.e. the image as an item to be deciphered. …”
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THE ORGANS OF THE REFORMED DIOCESE FROM ERDŐVIDÉK - EXAMINATION PAPER ABOUT THE HISTORY OF THE ORGANS - PART I - by István Zoltán KISGYÖRGY

“… When choosing the theme of my research, I was guided by the desire to get to know and investigate the organ, as a musical instrument, and by the affection and love for my homeland. …”
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Influência dos estilos musicais na atitude dos clientes: evidências experimentais em uma loja varejista by Gabriela Souza Assis, Janaina de Moura Engracia Giraldi

“…Os resultados indicaram que o estilo musical sertanejo possui influência mais positiva na atitude do cliente que os demais estilos (axé e pop rock). …”
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Patrones rítmicos del vals criollo peruano y su adaptación al cuarteto de cuerdas by César Alberto Pacheco Belevan

“…Sabiendo que los instrumentos tradicionales del vals criollo son la guitarra, el cajón y la voz, el presente trabajo analiza cómo son adaptados los patrones rítmicos propios de este género musical en la elaboración de un arreglo instrumental para cuarteto de cuerdas. …”
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A música dos números primos: a história de um problema não resolvido da matemática by Dora Soraia Kindel

“…O ponto alto é a hipótese levantada por Riemann de que era possível haver harmonia entre os números primos semelhante a uma harmonia musical. …”
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“HA FOLYÓVĺZ VOLNÉK ... (HAD I BEEN RUNNING WATER ...)”, EQUAL VOICES CHOIR, OP. 1, BY EDE TERÉNYI (1954) by Gabriela COCA

“…This is the text of a folk song, which was taken and processed by the composer Ede Terényi, in 1954, as a little choral musical work on three equal voices, a woman (or children) choir, that was inspired by the “Choral Works for Children’s and Female Voices” of Bartók. …”
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The Performance of Beethoven’s “Diabelli Variations”. Continuity, Discontinuity, Cyclic Integration, Irony by William Kinderman

“…This essay explores the performance challenges of Beethoven’s “Diabelli Variations”; it is paired with the author’s own studio recording of the work coordinated with the musical score. The commentary seeks to address issues of compositional genesis, motivic development, musical character, and formal shaping, while keeping aesthetic matters in view. …”
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Imaginarios musicales cambiantes en el Centro Cultural Polinesio by Cynthia L. Van Gilder, Dana R. Herrera

“…Defendemos que, en definitiva, el concurso de canoa revisado puede entenderse como una narrativa musical que empaqueta la relación colonial-misionera de la LDS con los polinesios en un imaginario musical no sólo para el consumo de los turistas, sino también de los propios intérpretes (miembros indígenas de la LDS).…”
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De l’artifice au vacillement : “A Singing Lesson” (A Century of Roundels, 1883) d’A. C. Swinburne by Pascal Aquien

“…Swinburne has long been considered an exceedingly clever master of hollow musical poetic tricks and devices. Based on an analysis of ‘A Singing Lesson’ (1883), this article intends to highlight that, despite and because of his technical skill and craft, his handling of form and diction radically questions the supposed univocal didactic straightforwardness of the poem as content.…”
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Teatro lírico y Coros de Clavé: continuidad y transformación de la cultura política republicana (Barcelona, 1874-1899) by Jordi Roca Vernet, Anna Costal i Fornells

“…La adaptación de las obras a distintos contextos de sociabilidad musical y la modificación constante de los contenidos en función de la actualidad alimentó las críticas al sistema político de la Restauración. …”
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Antoine Hennion: música, mediação e amadores by Paula Guerra, Marcílio Dantas Brandão, Alix Didier Sarrouy

“…Retomamos esta entrevista como ponto de partida para este texto que busca apresentar uma síntese das contribuições do autor à compreensão da importância dos amadores e da mediação no processo musical. …”
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Relationship between motivational climate, anxiety and average mark in pre-service physical education teachers: a cross-sectional study based on structural equation modelling appro... by Eduardo Melguizo-Ibáñez, Gabriel González-Valero, Georgian Badicu, Fatma Hilal Yagin, José Manuel Alonso-Vargas, Luca Paolo Ardigò, Pilar Puertas-Molero

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Música para el templo del convento de San Agustín de Lima. El maestro de capilla fray Cipriano Aguilar by César Humberto Vega Zavala

“…Estas obras presentan evidencias de que fray Cipriano Aguilar asimiló el estilo musical de Joseph Haydn, pero sujeto a la forma en que dicha estética se implantó en España durante los últimos veinte años del siglo XVIII, en la cual se empleó la orquesta como acompañamiento para la música vocal litúrgica. …”
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Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa by Regina R. Félix

“…This article shows the parallel between the psychological process of the characters Tomás, Maria Inês and Clarice and the musical, plastic, cinematographic, and literary forms through which they express their gradual awareness in dealing with their traumas. …”
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Linguistic problems of translating Indonesian popular lyrics of cover songs into English by Tira Nur Fitria

“…These components include song lyrics or text, as well as musical elements like melody and rhythm. In its formulation, the song lyric is a language that is not isolated from the musical principles such as the song's rhythm, melody, and harmony. …”
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LA VOZ: RECURSO PARA LA EDUCACIÓN, REHABILITACIÓN Y TERAPIA EN EL SER HUMANO by María Del Carmen Estavillo Morante

“…Con el presente monográfico nos proponemos llamar la atención sobre la importancia de la voz y de la Educación de la Voz para el profesorado, especialmente para el profesorado de Educación Musical. La Educación Vocal constituye el mejor modo de prevenir las patologías de la voz, que en la actualidad están muy generalizadas en los profesionales de la educación.…”
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Federico Gerdes en los 150 años de su nacimiento y 70 de su deceso: Una aproximación by Aurelio Tello Malpartida

“…Dejó sentadas las bases de una cultura musical cuya trascendencia se siente hasta la actualidad. …”
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O rap de intervenção social em Maputo, Moçambique by Luca Bussotti, Julio Chinguai

“… Assim como em muitos outros países, em Moçambique também o rap foi introduzido como fruto de importação dos Estados Unidos, por volta dos anos 1980, para depois tornar-se género musical com conteúdos originais e com impacto considerável junto, sobretudo, às camadas juvenis urbanizadas. …”
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Giant Reed (Arundo donax): Biology, Identification and Management by Kurt Vollmer, Curtis Rainbolt, Jason Ferrell

“… SS-AGR-301, a 4-page illustrated fact sheet by Kurt Vollmer, Curtis Rainbolt, and Jason Ferrell, describes this tall perennial grass that is commercially grown in the Mediterranean to make reeds for musical instruments, and which is a major invasive weed in California and Texas watersheds — its biology, identification and management. …”
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Giant Reed (Arundo donax): Biology, Identification and Management by Kurt Vollmer, Curtis Rainbolt, Jason Ferrell

“… SS-AGR-301, a 4-page illustrated fact sheet by Kurt Vollmer, Curtis Rainbolt, and Jason Ferrell, describes this tall perennial grass that is commercially grown in the Mediterranean to make reeds for musical instruments, and which is a major invasive weed in California and Texas watersheds — its biology, identification and management. …”
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