Voix soufflées, voix volées, voix intervocales by Helga Finter

“…The analysis is based on a body of productions from the 1970s onwards, including works by Robert Wilson, Lee Breuer and the Wooster Group, and foregrounds the possibilities offered by technology in the treatment and alterations of voice in the theatre.American Theatre, Laurie Anderson, Robert Ashley, body, Lee Breuer, Meredith Monk, technology, theatricality, voice, Robert Wilson, Wooster Group…”
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