O Diabo em O casamento do céu e do inferno de William Blake: confluências com a recepção do Satã de Paraíso perdido no século XVIII by William Weber Wanderlinde, Maria Rita Drumond Viana

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Dinamicidad de los clásicos. Ecos de El Paraíso perdido de John Milton en Sombra del Paraíso de Vicente Aleixandre: tras la estela del ángel caído by Sergio Arlandis López

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Frankenstein and Modern Criticism: the Myth of Inverted Narcissism by Victor Sage

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L’écriture dans ses métamorphoses : potentialités et pertinence de l'artifice de langue by Michel Morel

“…The presentation defines five linguistic regimes related to five writers: John Lyly’s redundance, John Milton and the birth of poetic diction, Dylan Thomas’s canonical inventiveness, Gerald Manley Hopkins’s transgressive inventiveness and James Joyce’s neological cross-language overlap. …”
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Reviving/Revising “Lycidas”: Virginia Woolf’s Elegy to Unborn Poets in A Room of One’s Own by Marie Laniel

“…Whereas, in “Lycidas,” John Milton mourns a young aspiring poet who died prematurely, and thus strives to leave his mark on a long-established tradition, Woolf finds herself in the paradoxical position of mourning female poets who never came to existence, because “they had no tradition behind them,” a loss for which there can be no aesthetic compensation. …”
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The Seasons by James Thomson and the Baltic German Poetry about the Seasons in the Era of Baltic Enlightenment by Kairit Kaur

“…One of my findings has been that James Thomson’s The Seasons belonged among the most often received works of English poetry by Baltic Germans in Estonia, after James Macpherson’s Poems of Ossian and John Milton’s Paradise Lost and followed by Edward Young’s Night-Thoughts. …”
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