Allestire il Grand Tour by Amath Luca Diatta, Sara Ghirardini

“… La relazione tra moda e patrimonio culturale sviluppa interessanti ed inedite trame narrative, che pongono nuove sfide ai sistemi curatoriali ed espositivi. Il decennale Grand Tour di Dolce&Gabbana lega l'Alta Moda alla ricchezza del patrimonio italiano, ed è stato tradotto in una mostra dall'eccezionale portata scenografica e comunicativa, mentre l'allestimento Alta Moda nel Parco Archeologico di Nora segna un ulteriore passo nell'intreccio tra moda, arte e valorizzazione del patrimonio. …”
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Jan Kristián Swéerts-Sporck a František Girtler − na společné cestě mezi zbožností a ekonomickým zájmem by Veronika Čapská

Subjects: “…grand tour…”
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Walter Xaver z Dietrichsteina na kavalírské cestě (1683–1688) a jeho boj proti předurčené budoucnosti by Lenka Maršálková

“… Grand tour of Walter Xaver Count of Dietrichstein (1664–1738) seems to be at first sight quite typical but after closer examination, it can not be considered as one of many. …”
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Fragmenty písemností z kavalírské cesty hrabat z Clary-Aldringenu z roku 1727 by Jiří Kubeš

“…Recent literature has come to the conclusion that deep changes in grand tour (Kavalierstour) of young nobles passed in 1720s and 1730s. …”
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Faire voir l'Orient : réflexion sur un artifice victorien by Laurent Bury

“…One of the “imposed figures”of the extended Grand Tour, the harem, was painted by J.F. Lewis and photographed by R. …”
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La Sacralisation littéraire et picturale de la montagne au XIXe siècle : (re)naissances et épiphanies by Françoise Dupeyron-Lafay

“…Mountains, that had been objects of indifference, fear, or even terror and loathing until the mid-18th century, became literary and pictorial subjects in their own right from the Romantic period onwards, especially in the wake of Rousseau’s La Nouvelle Héloïse (1761)—that radically changed the approach to nature—, and the first ascents of Mont Blanc in the 1780s that marked the beginning of Alpine tourism, and turned Chamonix (and later the Swiss Alps) into indispensable features of the "Grand Tour". We shall see the various—and sometimes complementary and converging—approaches to mountains from the late 18th century on: those emphasizing their pristine, Edenic nature; those extolling their power, sublimity and elemental violence, Turner’s paintings being emblematic in this respect : and those bringing out their divine essence, their sacred and holy quality. …”
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Le regard des photographes commerciaux. Quelques clichés du fonds égyptien de la Collection Fouad Debbas à l’étude. by Yasmine Chemali, Anne-Hélène Perrot

“…Shortly after the invention of photography, Egypt, which was henceforth part of the Grand Tour, became a sought-after tourist destination. …”
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