L’âme des machines dans The Ghost in the Shell by Bounthavy Suvilay

“…In Ghost in the Shell, Masamune Shirow aimed to publicize the concept of holons continuing the reasoning of Arthur Koestler in order to apply it to the computer. …”
Get full text

Functions of author’s commentaries in the manga “Ghost in the Shell” by Shirō Masamune by I. R. Kuryaev

Subjects: Get full text

WOMAN AND TECHNOLOGY: A STUDY ON GENDER PORTRAYAL OF A FEMALE CYBORG IN GHOST IN THE SHELL (2017) MOVIE by Pujo Sakti Nur Cahyo, Riyan Evrilia Suryaningtyas

“…This study aims to analyze gender portrayal in Ghost in the Shell (2017) movie by applying Donna Haraway’s concept of cyborgs as in her Cyborg Manifesto. …”
Get full text

En lisière des espaces : Blade Runner, Ghost in the Shell et le paysage urbain de Hong Kong by Wong Kin Yuen

“…Les films de science-fiction tels que Blade Runner et Ghost in the Shell développent un profond intérêt pour le paysage urbain de Hong Kong au tournant du siècle. …”
Get full text

Society Structures from Anime-Cyberpunk to Postcyberpunk. by Malte Frey

Subjects: Get full text

Compte rendu de l’exposition « Cityscapes in Anime Background Art » by Delphine Vomscheid

“…On show were more than 140 graphic documents relating to six Japanese science-fiction animated films released between 1980 and 2000: Akira, Patlabor, Patlabor 2, Ghost in the Shell, Metropolis and Tekkonkinkreet. These illustrations, which come in a variety of types and formats, all stem from the process of designing the urban and architectural environment. …”
Get full text

Między przeszłością a przyszłością, Polską i Japonią: heterotopie „Avalonu” by Ewa Mazierska

“…Film wyreżyserował Japończyk Mamoru Oshii, najlepiej znany jako twórca Ghost in the Shell (1995), produkcji uważanej za sztandarowe dokonanie anime – gatunku, który narodził się w Japonii, ale zyskał popularność na całym świecie. …”
Get full text

Ideology placement in the context of cinema's emancipation from narrative via atmosphere by Krašovec Primož

“…In this paper we will illustrate this transition from cinema based on narrative to cinema based on atmosphere, through an analysis of several examples: Underwater, Euphoria, Too Old to Die Young, Blade Runner 2049, Ghost in the Shell, Neon Demon, It Comes at Night, Thelma, Life and The Blackcoat's Daughter.…”
Get full text