Published 2024-06-01
“…By engaging in a comparative reading, I highlight the breadth of Amber’s oeuvre, tracing the development of their filmmaking strategies—which included agitprop, the fusion of factual and fictional formal elements and transnational collaboration with the
German Democratic Republic’s film production company, Deutsche Film-Aktiengesellschaft (DEFA)—to demonstrate that, contrary to criticisms levelled by contemporary theorists clustered around Screen magazine and the British Film Institute, Amber transcended the constraints of Documentary Realism by incorporating radical avant-garde aesthetics into their oppositional practice. …”
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