Jak Gaja Grzegorzewska skampowała powieść kryminalną by Magdalena Tosik

“…Polish critics have acknowledged the series for hybridizing the crime genre with romance and exploring the subject of gender and sexual identity within this generic framework. …”
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Promessas antológicas: o conto latino-americano contemporâneo a partir de algumas antologias by Wilson Alves-Bezerra

“…Addressing, mainly, the criteria adopted by the anthology of Gallimard Publisher will yield re fl ection over the genre in our current context.…”
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Transparency, Translucency, and Obscurity in the Victorian Monologue by Jean-Charles Perquin

“…Such obscure transparency, or transparent obscurity, is the condition for a poetic genre that cannot rely only on form.…”
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Wie können Schlüsselwörter in den erbaulichen Textsorten am Beispiel der protestantischen Leichenpredigten bestimmt werden by Ireneusz Gaworski

“…The term keyword, created in 1954 by Pierre Guiraud, is also used in contemporary linguistics to describe words that, because of their frequency of occurrence, are characteristic of a particular text, the genre of a text or the writer's style. The indication of keywords defined in this way in Protestant funeral sermons, which are one of the most representative genres of German moralizing literature of the 16th and 17th centuries, is difficult and often does not provide an answer to the question of what is referred to in a given text. …”
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Interdistance et instabilité au sein des chaînes de référence : indices textuels ? by Lucie Rousier-Vercruyssen, Frédéric Landragin

“…With regard to these measures, our results show the independence between the narrative genre and the non narrative genre. There is less interdistance and more stability in narrative texts than in non narrative texts. …”
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L’Art de voler et L’Aile brisée, d’Antonio Altarriba et Kim, sont-ils des récits mémoriels historiques en bande dessinée ? by Isabelle Delorme

“…Historical graphic memoir is a new comic book genre that emerged after the publication of Art Spiegelman's Maus at the turn of the 1990s. …”
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When Do We Leave Discourse Relations Underspecified? The Effect of Formality and Relation Type by Ludivine Crible, Vera Demberg

“…In this paper, we investigate the effect of discourse relation type and text genre on the production and perception of underspecified relations of contrast and consequence signalled by and. …”
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Governmentality, Democracy, and Liberalism: Desire in Samrat Upadhyay’s ‘The Guru of Love’ by Pushpa Acharya

“…The novel itself, as a genre, becomes the canvas for orchestrating this transformative process, engaging both characters and readers. …”
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Le Krimi sous le Troisième Reich : une invention de l'étranger by Vincent Platini

“…This article deals with the specificity of the crime novel under the Third Reich and its relation to the Anglo-American genre, from an economic, ideological and formal perspective. …”
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Des hauts plateaux aux oasis : La chanson saharienne by Abdelhafid Hamdi-Cherif

“…In its variety and its capacity for selfreplication, in its sobriety and in its essence, this genre expresses the vastness of the geography whence it arose. …”
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Portrait de l’artiste en jeune femme : Wormwood (1890) de Marie Corelli by Laurence Talairach-Vielmas

“…She uses absinth to criticize degeneration both in society and in art, denouncing naturalism — a literary genre known to be written by men for men, thereby suggesting that women can only write domestic novels. …”
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Du road movie au « voyage sauvage » : la quête d’aventure sur la route et le mythe du voyageur héroïque by Pascale Argod

“…L’expérience vécue du voyage initiatique (aventure, exploration, expédition) définit le genre « carnet de voyage  » devenu un médium du tourisme « hors des sentiers battus ». …”
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A literatura juvenil brasileira no início do século XXI: autores, obras e tendências by Gabriela Luft

“…Through reading, observation, analysis and comparison of works that make up the corpus, this research aims to show the characteristics of the Brazilian youth literature produced in the first decade of the XXI century, in order to answer what are the main trends of the genre and what is its position in the national scenery. …”
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Nye slåtter på sjøfløyta by Per Åsmund Omholt

“…The article argues that such transfer is both a continuation on the genre’s terms and a significant innovative element embedded in the process. …”
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Fantasised and fantastical Nordic imaginaries: Contextualising Nordic life vlogs by East Asian YouTube vloggers by Lee Jin, Abidin Crystal

“…Nordic life vlogs are a popular genre among avid watchers of YouTube influencers across East Asia. …”
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A Night at the Pictures : A Christmas Carol et la séduction du simulacra by Florent Christol

“…The main reason for this somewhat paradoxical fate is that Dickens is known for his contribution to the novel, a genre preoccupied with issues of realism and the denunciation of social ills. …”
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En chair et en os ? Sens, sensations et sensationnalisme dans Desperate Remedies (1871) de Thomas Hardy by Laurence Talairach-Vielmas

“…Moreover, the genre’s constant play upon bodies—whether the bodies of the characters or those of its readers—typified its close relationship with modernity. …”
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Admirable Alterity on the Frontier: French Women’s Agency in the Hollywood Western (1931-1980) by Lara Cox

“…It suggests that while the American film industry has had a long-standing esteem for French culture, it was during the 1950s that Hollywood began to promote systematically positive representations of Frenchwomen in the Western. It proposes that a genre of “Frenchness Westerns” emerged in the 1950s as a sub-genre of commercially successfully “Frenchness films” (Schwartz 2007) such as An American in Paris (1951) and Gigi (1958). …”
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Laboratory Islands: Renaissance(s), Regression and Re-creation in H. G. Wells’s The Island of Doctor Moreau and R. L. Stevenson’s The Ebb-Tide by Julie Gay

“…If by the turn of the 19th century, starting anew and being reborn on a desert island had become increasingly difficult, the island still offered the possibility of a form of literary re-birth or ‘renaissance’, by regressing to more ancient forms of story-telling while simultaneously innovating in terms of literary form and genre. This paper therefore aims to analyse the ambivalence of this insular ‘renaissance’, and the way it relies on pre-existing tropes and motifs while adapting to spatial and cultural changes in the insular context, in order to renew the adventure genre and offer an alternative to literary Realism at the turn of the 19th century. …”
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“How ‘ya gonna keep’em down at the farm now that they’ve seen Paree?”: France in Super Hero Comics by Nicolas Labarre

“…Any extensive reading of super hero comics will reveal that the representation of France within the genre borrows mostly from touristic clichés, using the country as a foreign, exotic yet not too disorientating setting. …”
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