Existential and Phenomenological Horror in Les Diaboliques by Daniel Tilsley

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Une histoire oubliée : la genèse française du terme « film noir » dans les années 1930 et ses implications transnationales by Thomas Pillard

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Construire des salles de cinéma durant les Trente Glorieuses : le cas méconnu de l’architecte Georges Peynet by Andrés Avila Gómez

“…The study of this architect's career highlights the presence in France of an elite group of designers specialising in cinema architecture, unknown in architectural circles but widely recognised and in demand among cinema operators.As the leading French "cinema architect", Peynet has forged a career exclusively dedicated to the design of cinemas, contributing to the transformation of this architectural program.…”
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Foule et public by Emmanuel Plasseraud

“…We can answer no, and we can think that the gap between theory and reality of the film reception is one of the reasons explaining the problems of French cinema facing American cinema. The theorical deadlock of the French conception of film reception, due to the use of the notion of crowd, appears clearly in Germaine Dulac’s writtings. …”
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