Ezra Pound and the Italian Renaissance(s) by Emilie Georges

“…When looking for a model for the revolutionary poetics he wanted to invent, Ezra Pound turned in part to the European avant-gardes, as might be expected, but he also looked towards much earlier models, foremost among which was the Renaissance. …”
Get full text

Preface. Ezra Pound and Referentiality by Hélène Aji

Get full text

Ezra Pound: Presenza and Presentation by Christine Savinel

Get full text

The Politics of Aesthetics: Ezra Pound’s Jefferson is Mussolini by Hélène Aji

Subjects: Get full text

Sincronías: Niels Bohr y Ezra Pound by Rodrigo Azaola, Iliana Olmedo

Get full text

THE SEARCH FOR “PRIME WORDS”:EZRA POUND AS NOMINALIST by Marjorie Perloff

Get full text

History and Anonymity in Ezra Pound’s Documentary Method by David Ten Eyck

Get full text

Transatlantic Crossroads: Ezra Pound’s 1933 Active Anthology by Charlotte Estrade

Subjects: Get full text

Seeking “The Root In Justice”: Geoffrey Hill On Ezra Pound by Jennifer Kilgore

Get full text

Ira B. Nadel, ed. The Cambridge Companion to Ezra Pound. by Axel Nesme

Get full text

Jonathan Pollock, Lire Les Cantos d’Ezra Pound by Charlotte Estrade

Get full text

Ezra Pound’s Catholic Prayer Book: Pro Patria Et Deo by James Kraus

Get full text

Was Ezra Pound a Radical Agrarian? “Fascism is an Integral Part of the History of Our Century”1 by Philip Grover

Get full text

Une amnistie sans pardon : Ezra Pound en France. Premiers passages et passeurs by Jean Christophe Contini

“…Often associated with Céline because of his anti-Semitism and his conduct during World War II, Ezra Pound (1885-1972) and his Cantos were discovered in France thanks to the extensive translations carried out by Denis Roche and the publication of a double issue of Cahier de l’Herne edited by Dominique de Roux and Michel Beaujour, who also invited the “Great Pan” to Paris in 1965 on the occasion of his 80th anniversary, more than forty years after his last visit to this city.However, one often overlooks the fact that this French reception (rendered problematic by a French, rather than American, history of nationalism, fascism and anti-Semitism) began with translations and comments made as early as the mid-1950s by several French poets and writers: Alain Bosquet, Michel Mohrt, Michel Butor and René Laubiès, who first translated and published a selection of Pound’s Cantos and poems in 1958.…”
Get full text

Traduire l’archive : voix et silences dans le Canto 8 des Cantos d’Ezra Pound by Charlotte Estrade

Subjects: Get full text

Translating Merwin: Navigating Nature, Place, and the Apo Koinou by Helmbrecht Breinig

Subjects: “…Ezra Pound…”
Get full text

W.S. Merwin’s Search for Walt Whitman, Whoever He Was by Ed Folsom

Subjects: Get full text

T. S. Eliot’s Ara Vos Prec: The Maker’s Pages in Order by Michelle Alexis Taylor

“…Eliot’s second complete volume of poems: the US edition, Poems (1920), and the UK edition, Ara Vos Prec (The Ovid Press). While Ezra Pound arranged the poems of the American Poems (1920), Eliot himself determined the sequence of poems for Ara Vos Prec. …”
Get full text

« Is that wool hat my hat ? » by Hélène Aji

“…Contemporary American poems, from Ezra Pound’s Imagist poems and William Carlos Williams’s poems as objects, gradually reform the poem into a space dedicated to conceptualization (George Open, Robert Duncan) or evidencing the very alienation lurking in the commitment to concepts as opposed to praxis (Jackson Mac Low). …”
Get full text

L’imaginaire de l’exil chez Kay Boyle by Anne Reynes

“…On the contrary, expatriation provided Kay Boyle with the possibility to redefine her connection with her American origin. In the wake of Ezra Pound and William Carlos Williams, she experimented with the image as a way of reaching for a new sense of “locality”. …”
Get full text