Who? How and How Much? When and Where? On Why We Need to Be Pragmatic about Critique by Robert Porter, Iain MacKenzie

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Reproducción de una identidad comarcal y exaltación de un vino: la Fiesta de la Vendimia de Toro by Maria Pilar Panero García

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La conversion de saint Augustin : modèle paradigmatique ou exemple atypique ? by Béatrice Bakhouche

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A Study of the techniques of dramatizing narrative texts in Bahram Beyzaie's Adaptations of Shahnameh by Mohammad Sabri, akbar Shayanseresht

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Forster on the Air: TV and Radio Adaptations of the Works of E. M. Forster by Krzysztof Fordoński

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Le théâtre historique pour la jeunesse sous la Restauration et la monarchie de Juillet : propagande royale ou éducation politique ? by Calderone Amélie

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Recognizing Persian Dramatic Language: A Systemic Approach by Raziyeh Gholipour Hafshejani, Mohammad Dabir Moghaddam

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Representation of British Royal Family in Mike Bartlett’s Play “King Charles III” by M. V. Norets, A. V. Reinova

Subjects: “…dramatic interpretation…”
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How Can We Interpret the 21st-Century (No Longer) Dramatic Texts and Theatre in Art and Theory? by Tomaž Toporišič

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Hans Werner Henze, Ingeborg Bachmann: Der Prinz von Homburg. Operatic adaptation of Kleist’s drama by Beata Kornatowska

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The drama of the soundtrack in Al Ressala film as a model by Seerwan Mohemmad Mustafa, Abdulnaser Mustafa Ibrahim

Subjects: “…Dramatic Music, Film Music.…”
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„Ślub” w manierze performatywnej by Anna Krajewska

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Odtwórz to głośno. Zastosowanie dramy w pracy z nieśmiałymi dziećmi by Kamila Witerska

Subjects: “…dramat…”
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„Amadeusz”. Miloš Forman i Peter Shaffer by Małgorzata Choczaj

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¿Teatro en el púlpito? La oratoria sagrada española del siglo XVII by Darío Velandia Onofre

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Zmowa kobiet? Inscenizacje feministyczne w polskim teatrze dwudziestolecia międzywojennego by Diana Poskuta-Włodek

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The signs of mystery play in the lyric At the Gate of the Valley by Zbigniew Herbert by Piotr Dariusz Urban

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Dramaturgiczna demaskacja (narodowych) mitów na cenzurowanym: „Śmierć na gruszy” Witolda Wandurskiego oraz „Ecce homo” Ewy Szelburg-Zarembiny by Magda Nabiałek

Subjects: “…dramat…”
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Le Nouveau Théâtre Espagnol : la résistance politique, culturelle et esthétique d’un mouvement néo-avant-gardiste (1967-1978) by Anne Laure Feuillastre

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DRAMATIC MONOLOGUE IN ROBERT BROWNING’S POEM “ANDREA DEL SARTO” by Fadhillah Wiandari

Subjects: “…Dramatic Monologue…”
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