Philosophical biography : some problems of conceptualization by Irina Polyakova

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Bouches béantes et voix blanches dans le théâtre de Howard Barker by Vanasay Khamphommala

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The Polyphonic Structure of John Lyly’s Plays by Francis Guinle

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Portrayal of gender roles in Emirati television dramas: a content analysis by Viola Gjylbegaj, Ahmed Farouk Radwan

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‘Laugh a defiance, Laugh in hope’: Suffrage Comedy and Humour as Political Protest by Eleanor Stewart

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Energy and presence: A journey from theatre lab to teacher training by Isabelle Gatt

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L’autre scène dans The Three Birds de Joanna Laurens (2000) : enjeux dramatiques de la réécriture d’un mythe by Solange Ayache

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Avant-propos : Représenter l’histoire immédiate sur les scènes britanniques modernes et post-modernes by Élisabeth Angel-Perez, Line Cottegnies, Virginie Yvernault

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Pemanfaatan Pertunjukan Drama “Ulang Durhaka” Sebagai Media Pembelajaran Untuk Meningkatkan Efikasi Diri dan Pendidikan Karakter Siswa SMA Harapan Medan by Rin Prabuwati, Kristiwan Indriyanto, Sartika Sari

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Les Montand-Signoret jouent Arthur Miller. La première française des Sorcières de Salem by Julie Vatain-Corfdir

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Enseñanza contextualizada para miembros de la subcultura del heavy metal a través de técnicas teatrales by Amalia Ortiz de Zárate, María Nicol Guarda

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Hegel y los problemas de la “consideración liberal de lo bello” by Agustín Lucas Prestifilippo

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Viewing the African Political Leadership Challenge through the Lens of Music Drama: Reflections on Duro Ladipo’s Ọba Kòso by Kayode Samuel

Subjects: “…African underdevelopment, Political leadership, Yorùbá folk opera, Duro Ladipo, and Music drama…”
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PHENOMENOLOGY OF BODY IN THE CONTEXT OF EDUCATION by S. V. VOLKOVA

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Rise of Love and the People: French Matter and Manner in the Early Victorian Drama of Edward Bulwer-Lytton by Ana Fernández-Caparrós Turina

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El drama creativo una herramienta para la formación cognitiva, afectiva, social y académica de estudiantes y docentes by José Joaquín García García, Nubia Jeannette Parada Moreno, Arley Fabio Ossa Montoya

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Looking into the attribute of transcendent genius: George Henry Boker and Robert Conrad’s use of Shakespeare by Ronan Ludot-Vlasak

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Contemporary African American Women Playwrights: Shaping Identity through Violence by Inmaculada Pineda

Subjects: “…contemporary African American drama…”
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Non-verbal agents of theatrical retranslation: Women’s identity and the Spanish classics by Jorge Braga Riera

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Translating French Drama for English Audiences: Adolphe Belot’s L’Article 47 by Barbara T. Cooper

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