On Some Aspects of the Poetic of ri in Dante’s Divine Comedy: Possibilities of Semantic Clustering by Ülar Ploom

“…The examples of the poetic of ri will primarily be drawn from the frames of the three canticles of the Divine Comedy, as it is within these frames that the modelling codes of the entire work are provided. …”
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La divine comédie dans les Andes ou les tribulations du mort dans son voyage vers l’au-delà by Valérie Robin Azevedo

“…The Andean divine comedy or the tribulations of the soul in its voyage to the hereafter. …”
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alchimia dall’inferno al paradiso nella divina commedia. l’influsso su dante dell’opera alchemica aurora consurgens, parzialmente attribuita a san tommaso d’aquino by Marino Alberto Balducci

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Texte, trame, signe : les ficelles de l’art selon Dante Gabriel Rossetti by Laurence Roussillon-Constanty

“…The point is to show that beyond the personal context of its creation and through the model of Dante’s Divine Comedy, Rossetti is pushing the limits of both forms of art—painting and poetry—thereby creating a new aesthetics where text and image merge into a musical form, where the work of art is an endless dialogue of the soul with itself.…”
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Newman’s Poetry: The Heart of a Victorian Renaissance Project  by Dampi Somoko

“…This is particularly true of the poetic dream in The Dream of Gerontius, which borrows characteristics from both the anonymous Old English poem The Dream of the Rood and Dante’s Divine Comedy. This creative recourse to old literary and aesthetic sources as an inspiration is marked by porosity, hybridity, and subversion when the mutation of the character takes place in a gradual process from de-personification to kenosis. …”
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Coda: The War of Poetry: Duncan’s Heresies by Michael Heller

“…This essay focuses on Duncan’s Tribunals: Passages 31-35, originally published as a separate chapbook in 1970, and the prose surrounding it, such as the earlier “The Sweetness and Greatness of Dante’s Divine Comedy” of 1964, as a central focus of the struggle of Duncan’s war with and for form, the site of risk, undoing and resolution. …”
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Charles Humbert « enlumine » l’Enfer de Dante vers 1920 by Philippe Kaenel

“…A l’occasion du sixième centenaire de la naissance de Dante, Charles Humbert (1891-1958), peintre neuchâtelois, calligraphie et enlumine le texte de La Divine comédie dans un volume monumental conservé dans le fonds qu’il a déposé à la bibliothèque de La Chaux-de-Fonds (55 sur 35 centimètres et comptant 445 pages). …”
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