Nieludzkie, arcyludzkie. Wnętrze ciała w twórczości Davida Cronenberga by Klaudia Rachubińska

Subjects: “…David Cronenberg…”
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Corps (é)conduits : La construction d’un regard-machine dans Crash (1996) et Cosmopolis (2012) de David Cronenberg by Guilhem Billaudel

“…“It is necessary to identify two point of views [in Crash]: that of the characters […] and that of the audience”, Paul-Marie Battestini writes in his work on David Cronenberg’s film. It may nevertheless be fruitful to question the possibility of a third perspective, that of the cars on which Crash and Cosmopolis focus, inasmuch as they are essential and close to being actual characters. …”
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