A Study of Color Palettes and Painting Techniques of Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning Technique by Nawarat Kaew-On, Supapit Kongchan

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Arşivler(Savaş Arşivleri): – Arşivsel Tasavvur, Savaş ve Çağdaş Sanat by Helin İlcek

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Strategies for Studying Multiple Meanings in Conservation Research by Jan Marontate

“…The paper examines how diverse value systems and multiple meanings of contemporary art might be taken into account in conservation research.  …”
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Replace or remake ? A work in progress by Marie-Hélène Breuil

“…Le term remake has only been used relatively recently in debates surrounding the conservation and restoration of contemporary art. The status of the « remade » work is not always very clear, wavering between exhibition copy, duplicate and reconstitution, depending on the author of the remake and the context of the reproduction.…”
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Le « Jardin d’Amour » de Yinka Shonibare au musée du quai Branly ou : quand l'« autre » s'y met by Bernard Müller

“…The author of this contribution attempts to expose what implies, both on a curatorial and a theoretical level, a contemporary art exhibition in a museum of mankind: “Jardin d’amour” by Yinka Shonibare at the musée du quai Branly in Paris (April to July 2007). …”
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La restauration de My Flower Bed, de Yayoi Kusama by Camille Morineau, Patricia Dal-Prà

“…Contemporary art works, and among them the installations which happen to be the origin of performances, present very specific problems to restorers. …”
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Patrimoine(s) et Conservation-Restauration(s) by Roland May

“…Evolution and expansion of a cultural heritage concept applied to fields such as contemporary art and, sciences, technology, ethnography...over the last twenty five years, raises questions about its relationship with conservation, the bases of which were defined in the sixty's, then essentially focused on artwork and aestheticism.With respect to other values and stakes, messages, functions, use, isn't it the opportunity to assess the suitability of these notions and, to some extent, their integration in a process which preserves the narrow and compulsory link between conservation and the durability of cultural heritage with respect to both ancient and new values?…”
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Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ? by Marie Caquel

“…Above all such an heritage is not obtain by the most expected disciplines (history, sociology), but by a more surprising couple: ethnology and contemporary art.…”
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Paint handling in Leonardo’s Mona Lisa: guides to a reconstruction by Sandra Šustić

“…How the painter managed to obtain such delicacy of the tonal transitions still occupies the mind of contemporary art researchers. Based on published results of scientific analyses performed on the painting and relying on historical sources, a copy of the painting was made using materials that were identical or at least equivalent to the ones Leonardo used. …”
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Un palais pour les immigrés ? by Andréa Delaplace

“…The museum presents a historical and cultural approach to immigration as well as works of contemporary art relating to the subject. The present article will examine how the museum constitutes an attempt to recognise the heritage of immigration as a national heritage.…”
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REFLECTION OF NIETZHES PHILOSOPHICAL IDEAS IN AVANGARDIZM ART by Ya. S. Demydenko

“…It was proved that the creative legacy of Nietzsche can be the intellectual base for overcoming the crisis in contemporary art culture and initiate the ascent of man to the new spiritual and artistic heights.…”
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Activisme culturel au Centre Georges-Pompidou. Le photoreportage exposé (1977-1997) by Assia Quesnel

“…The Centre Pompidou thus appears as a place for the consecration of photo-reportage and the media. As for contemporary art, the institution was a place that activated photo-reportage especially in the decision to defend young artists, to show an interest in non-Western countries, and the commissioning of reportages.…”
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Communicative-visual value of environmental art festival by Antonella Violano, Julio Cesar Perez-Hernandez

“…Many forms of art leave their imprint on contemporary art culture as a complex system of ideas and emotions, perceptions and stimuli for reflection. …”
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Une chambre à soi : genres et corps en art by Luc Schicharin, Anne-Laure Vernet

“…During the course of 2 symposium respectively called « Genderqueer Workshop : a Reflexion on Contemporary Bodies through the Arts », and « A Room to One’s Own : Genders and Bodies in Art » held from March 2015 to January 2016, the problematic of political subjectivity has been approached through an aestethical and philosophical study of works of art which are organized according to the codes of contemporary art and of militant artistic practices coming from subcultures and popular cultures. …”
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The Humour and Novelty of Congwayndut Puppet Group: An Overview of Performance Studies by Gendot Dekanipa, Aris Setiawan

“…As a dynamic cultural event, the contemporary art of the Congwayndut group is always produced with a unique dramaturgy, contemporary and innovative setting. …”
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Ruptures, renaissances et continuités. Modes de construction de l’histoire de l’art maghrébin by Annabelle Boissier, Fanny Gillet

“…Indeed, the authors of such works have established the timeline and refer to such a limited number of historical actors that it seems unlikely that these would be the only ones responsible for the emergence and institutionalization of the modern and contemporary art worlds. We support the assumption that an analysis of the literature and its evolution will offer a key to understanding the process by which the "glorious history" of the Algerian and Tunisian artistic movements was formed. …”
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Animal Objects: Memory, Desire and Mourning by Julia Courtney

“…At the same time disembodied claws, teeth and horns carried an erotic charge when transformed into lovers’ gifts, while the sensuous reaction to animal skins can be seen in contemporary art and fiction. Thirdly, mourning for departed pets or celebrity animals, in an age when death and remembrance were significant cultural forces, might involve the preservation of either a whole animal or isolated body parts, as in the case of larger creatures such as horses. …”
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PENCIPTAAN KARYA CETAK TINGGI DENGAN MIXED MEDIA SEBAGAI UPAYA MENCIPTAKAN INOVASI DAN KREASI BERBASIS TRADISI JAWA by Sigit Purnomo Adi, Ariesa Pandanwangi, I Gusti Ngurah Tri Marutama, Sigied Himawan Yudhanto

“…The results of this creation research have innovations and creations in the form of contemporary art works extracted from Javanese traditional art.…”
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Imagens da Arte by Maria Filomena Borja de Melo

“…Before Kant, before contemporary art critics, before a systematic reflexion about art, how was it to talk about art subjects, about beauty, about the art works that were done around? …”
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Slowness and Renewed Perception: Revisiting Douglas Gordon’s 24 Hour Psycho (1993) with Don DeLillo’s Point Omega (2010) by Françoise Sammarcelli

“…This article analyzes how American writer Don DeLillo revisits Gordon’s installation in his novel Point Omega (2010), which allows him to experiment with the relations between contemporary art and fiction. After presenting these various works and the intersemiotic reflexion they activate in DeLillo’s novel, the essay examines the deceptive simplicity of this brief text, in terms of syntax and diegetic structure (including the film-related framing device). …”
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