LINEN SIEVES – THOUGHTS ON THE MARGIN OF ANGI ISTVÁN'S MUSICOLOGICAL WRITINGS (ANGI ISTVÁN: SITE DE IN, EDITURA MEDIA MUSICA, CLUJ-NAPOCA, 2014) by Attila FODOR

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ENSEMBLES MUSICAUX REPRÉSENTATIFS DE LA PHILHARMONIE « TRANSILVANIA » DE CLUJ-NAPOCA. LES QUATORS À CORDES PENDANT LES ANNÉES 1955 – 1989 by Simona-Mihaela SPIRIDON

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ELENA MARIA ŞORBAN – BOOK QUARTET: 1. THE HISTORY OF MUSIC AND US: CREATIVE PERMANENCIES, 2. THE OLD MUSIC. A CONCISE HISTORY, 3. CLASSICAL AND ROMANTIC MUSIC, 4. THE NEW MUSIC Eikon Publishing House, Cluj-Napoca, 2013 & 2014 by Anamaria Mădălina HOTORAN

“…D at the “Gheorghe Dima” Music Academy of Cluj-Napoca, where she teaches Music History and Gregorian Paleography. …”
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DENTAL SERVICES – TO FEAR OR NOT TO FEAR? THE EFFECT OF MUSIC ON PAIN PERCEPTIONS by Ancuța REMETE, Laura BACALI, Marcel Ciprian POP, Brîndușa Mariana BEJAN, Monica BOGDAN, Andrei PICOȘ

THE EVOLUTION OF THE INTERFERENCE OF NEW TECHNOLOGIES IN MUSICAL CREATION by Ciprian Gabriel POP

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CORNEL ŢĂRANU – VALENTIN STREINU: MUSICAL-POETIC CONNECTIONS by Ciprian Gabriel POP

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Reconversion of Mono-Industrial Urban Areas (Case Study – Beclean City) by Cristian Nicolae BOȚAN, Ion-Horațiu PAVEL, Silviu-Florin FONOGEA, Viorel GLIGOR

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Analysis of the Hail Phenomenon in Bistrița-Năsăud County in 2024: Localization, Impact, Perception, and Mitigation by Andras-István BARTA, Irina RABOȘAPCA, Ștefan BILAȘCO, Aurelian Cosmin MOLDOVAN, Tania MIHĂIESCU

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Natural and Migration Balance of the Population in Sibiu County Between 1992 and 2021 by Raularian RUSU, Ciprian MOLDOVAN, Titus MAN, Elena-Manuela BÎRSĂNUC, Cosmina-Daniela URSU

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ANNALYTICAL BENCHMARKS IN THE WORK “ON A SUN DIAL II” FOR CLARINET B FLAT AND RECITER BY PETRU STOIANOV by Cristian BENCE-MUK

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“JUGGLE” FOR CLARINET AND PIANO BY CRISTIAN MARINA – CHANGING THE SEMANTICS OF CONTEMPORARY MUSICAL CREATION FROM THE POINT OF VIEW OF VARIOUS INSTRUMENTAL VERSIONS by Cristian BENCE-MUK

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CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS by Aaron FAZAKAS

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In Memoriam: Prof. Dr. Vasile SURD (1946 - 2024) by Vasile ZOTIC, Diana ALEXANDRU

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“SONATA FOR CLARINET SOLO” BY TIBERIU OLAH by Răzvan METEA

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“EQUINOXES” BY TIBERIU OLAH by Răzvan METEA

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ECHOES by Tudor FERARU

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USAGE OF COMPUTERISED MEANS IN VOCAL ASSESSMENT by Ana RUSU

“…Dima’ Music Academy from Cluj-Napoca. Data presented here was processed through ICT[1] means…”
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“INTEGRITY, DISCIPLINE AND HUMBLE, CONSTANT HARD WORK – THESE ARE THE SECRETS OF A LONG AND SUCCESSFUL CAREER” by Adél FEKETE

“…Dima” Music Academy in Cluj, in 1973 she became the lead singer of the Hungarian Opera from Cluj-Napoca. Throughout her career, she performed many prima donna roles (such as Saffi in The Gypsy Baron by Johann Strauss II, Countess Liza in The Land of Smiles by Franz Lehár, Rosalinda in Die Fledermaus, Victoria etc.) and has achieved well-deserved recognition for her interpretation of Verdi’s heroines – Abigaille, in Nabucco, Leonora in Il Trovatore, Amelia in Un Ballo in Maschera, Amerlia Grimaldi in Simon Boccanegra as well as Lady Macbeth, but also for the roles of Micaëla (from Carmen by Georges Bizet), Santuzza (from Cavaleria Rusticana by Pietro Mascagni), Elisabeth (in Wagner’s Tannhäuser) or Puccini’s Tosca. …”
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Environmental and Climate Change Education in Romania from the Perspective of International and National Strategies in the Field by Gabriela-Alina MUREŞAN, Magdalena DRĂGAN

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COMPETENCE BASED MUSIC TEACHING by Éva PÉTER

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