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    THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH by Gabriela Coca

    Published 2013-12-01
    “…Bach, published in book form in 2008, at the Cluj University Press publishing house in 2008. The analysis was carried out starting from the details to the whole, in each of the 12 parts, view on the following aspects: the text, the orchestral ensemble, the shape, the tonal structure, and the instrumentation. …”
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