BOOK REVIEW: CIPRIAN PORUMBESCU NECUNOSCUT (CIPRIAN PORUMBESCU UNKNOWN), PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X) by Gabriela COCA

“…Within it have been presented the following papers dedicated to the composer's life and activity: Leca Morariu and the Monumental Monograph Worshiped to Ciprian Porumbescu (author: Vasile Vasile – from the University of Piteşti); The Architectural and Tonal Support of the Dramaturgy of the “Crai nou” (New Philanderer) Operetta by Ciprian Porumbescu (author: Gabriela Coca – from the Babeş-Bolyai University of Cluj-Napoca); “Balada” (The Ballad) of Ciprian Porumbescu – a Representative Creation of the Art Music of Bucovina (19th century) (author: Zamfira Dănilă – from the “George Enescu” Academy of Art - Iaşi); The Reception of Ciprian Porumbescu’s Creation in Banat (author: Constantin Tufan Stan – from the Filaret Barbu School of Fine Arts of Lugoj); „Altarul Mănăstirii Putna” (The Altar of Putna Monastery) (author: Sever Paraschiv Dumitrache – from the Bucovina Cultural Center of Suceava); and The Musicological Trilogy “Ciprian Porumbescu Unknown” to an end (autor: Constanţa Cristescu – from the Bucovina Cultural Center - Suceava). …”
Get full text

ASPECTS OF THE VOCAL-SYMPHONIC GENRE by Lucian GHIŞA

Get full text

OPERA AND FILM – AN UNLIKELY MARRIAGE by Julianna KÖPECZI

Get full text

iFPH: WIRELESS CONTROL OF SOUND by Adrian BORZA

Get full text

DIFFERENTIATION IN MUSICAL EDUCATION by Éva PÉTER

Get full text

THE HEALING POWER OF MUSIC. MUSIC IN PRACTICE by Szilvia TÖRÖK

Get full text

INNOVATIVE SOUND EFFECTS AND ELEMENTS OF MUSIC NOTATION IN GEORGE CRUMB’S “BLACK ANGELS” FOR ELECTRIC STRING QUARTET by Tudor FERARU

Get full text

“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN by Gabriela COCA

Get full text

DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“ by Miklós FEKETE

Get full text

CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW by Noémi MIKLÓS

Get full text

BERCEUSES DU CHAT BY IGOR STRAVINSKY by Răzvan METEA

Get full text

FORMAL STRUCTURE AND POLYPHONIC TECHNIQUE IN ZOLTÁN KODÁLY’S “SEVEN EASY CHORAL PIECES FOR CHILDREN" by Gabriela COCA

Get full text

FRANZ SCHUBERT AND THE MUSICAL ROMANTICISM by Boróka GYARMATHY-BENCZE

Get full text

ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANU by Cristian BENCE-MUK

Get full text

SPELLBOUND BY SOUNDTRACKS. AN INTERVIEW WITH FILM SCORE COMPOSER AARON FAZAKAS by Adél FEKETE

Get full text

THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE by Éva PÉTER

Get full text

SELF-SIMILARITY IN PITCH ORGANIZATION by Adrian BORZA

Get full text

GHIDUL IUBITORILOR DE FOLCLOR (THE GUIDE OF THE FOLKLORE LOVERS), 1/2011, PUBLISHING BY ED. LIDANA, SUCEAVA (ISSN: 2284-5593) by Gabriela COCA

Get full text

THE EXPRESSIVE POWER OF THE HARMONIC PARAMETER AND OF THE FORM IN THE CYCLE OF LIEDS DIE SCHÖNE MÜLLERIN BY FRANZ SCHUBERT by Gabriela COCA

Get full text

HYMNS OF REPENTANCE IN THE WORSHIP PRACTICE OF THE REFORMED CHURCH OF TRANSYLVANIA by Éva PÉTER

Get full text