Presence and Absence in Margaret Atwood’s Dearly by Pilar Sánchez-Calle

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The Edible I in Kim Fu’s For Today I Am a Boy by Veronica Austen

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Kiskisitotaso, Don’t Forget Yourself: Indigenous Resurgence in David A. Robertson’s Barren Grounds by Anah-Jayne Samuelson

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Re-Creation, Re-Membrance, and Resurgence: Richard Wagamese’s Indian Horse by Celia Cores Antepazo

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From Villainess to Gilead’s Nemesis: The (Un)easy Rehabilitation of Aunt Lydia by Ewelina Feldman-Kołodziejuk

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Indigenous Environmental Activism and Media Depiction by Raphaela G O Pavlakos

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We Are Already Ghosts: Reflections on Composition by Kit Dobson

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Everyday Magic or Winter Haunting? Kevin Sullivan’s Supernatural Re-Visioning of L. M. Montgomery’s Jane of Lantern Hill by Heidi Lawrence

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Assembling Reading and Writing in the Face of Loss: Christa Couture’s How to Lose Everything and Dakshana Bascaramurty’s This Is Not the End of Me by Lola Artacho-Martín

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Building Bridges through Writing: An Interview with Rohini Bannerjee by Sara Casco-Solís

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